Angels We Have Heard on High: A Christmas Carol Cover Image

Angels We Have Heard on High: A Christmas Carol: Concert Band, Ensemble Works, Full Score (LUDWIGMASTERS)

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Angels We Have Heard on High: A Christmas Carol Cover Image

Angels We Have Heard on High: A Christmas Carol: Concert Band, Ensemble Works, Full Score (LUDWIGMASTERS)

By Traditional, arr. Arthur Harris/ transc. William H. Silvester

Grade: 3

Item: 36-M906401

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Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

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Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887155-8
ISBN13: 978-1-63-887155-2
UPC: 735816047887
SKU: 36-M906401
Instrumentation: Concert Band with optional SATB Chorus

More about this title

About the Arranger: Arthur Harris

Arthur Harris has established himself as a trusted arranger for concert bands, particularly through his work adapting orchestral works for wind ensemble performance. His Christmas Series demonstrates his skill at preserving the character and sophistication of original compositions while making them accessible to bands across skill levels.

Why we love this

Harris's arrangement respects the melodic strength of this beloved carol while giving your band real orchestral texture without overwhelming younger players. The optional chorus creates a natural focal point for a full holiday concert, and the Grade 3 instrumentation means your entire ensemble stays engaged throughout.

What to expect

Warm and luminous, with the kind of harmonic richness you associate with orchestral writing. The melody floats over thoughtfully voiced supporting parts that suggest depth without complexity, creating a carol that feels both familiar and freshly arranged.

Who it's for

Concert bands at Grade 3 level looking for substantial Christmas repertoire that avoids the thin orchestration of many holiday pop arrangements. Directors who want a piece flexible enough to feature chorus while remaining fully satisfying as an instrumental work alone.

How to get the most out of it

  • Balance the melody clearly in the first statement; this carol's power comes from immediate recognition, so let the principal voice shine without drowning it in countermelody.
  • If performing with chorus, conduct the band and singers as a unified ensemble rather than accompanying from behind. The arrangement assumes equal partnership between the two groups.
  • Shape phrases across bar lines to prevent the carol from sounding fragmented. Listen for natural breathing points in the harmonic progression and lean into them.
  • Pay attention to dynamics in the inner voices; Harris often writes supportive material that lifts the texture when played with intention rather than as background filler.

How to use it

Position this as an anchor piece in a holiday concert, either before or after lighter pop selections. The optional chorus element makes it equally effective as a concert finale or as the centerpiece of a mixed program pairing instrumental and vocal forces.

Skills your students will build

  • Balancing melody and accompaniment in scored arrangements
  • Phrasing in sustained harmonic contexts
  • Ensemble listening across wind sections
  • Sight-reading Grade 3 band scores with optional vocal parts

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