Angels We Have Heard on High Cover Image

Angels We Have Heard on High: 6 Flutes Score & Parts

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Angels We Have Heard on High Cover Image

Angels We Have Heard on High: 6 Flutes Score & Parts

Arr. David Marlatt

Level: Medium

Item: 81-F15110

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Description
This popular carol has French origins composed by an unknown author. After being translated into English in 1862, this Christmas favorite quickly became popular in the English speaking world. The tuneful melody has been augmented in this arrangement with scales, ornaments, and other flourishes.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-269-8
ISBN13: 978-1-77157-269-9
UPC: 685462022700
SKU: 81-F15110
Instrumentation: 6 Flutes

More about this title

Why we love this

Marlatt's treatment transforms a centuries-old melody into something that genuinely sparkles on the flute, taking advantage of the instrument's agility without losing the carol's warmth. The scales and ornaments feel organic rather than gratuitous, giving your section real material to sink their teeth into while keeping the arrangement rooted in something familiar.

What to expect

Warm and celebratory, with an elegant lift. The familiar melody anchors the arrangement in something listeners immediately recognize, while the scales and ornaments add sparkle and a sense of joy without ever feeling over-arranged or fussy.

Who it's for

Flute ensembles at the intermediate level looking for a festive holiday selection that respects the carol's heritage while offering musical substance. It's equally suited for holiday concerts, community performances, or sectional enrichment during the winter season.

How to get the most out of it

  • Balance the melodic lines carefully when the ornaments pass between flutes; the embellishments should decorate the tune, not overshadow it.
  • Shape the phrasing across the entire phrase length rather than stopping at bar lines; let the melody breathe as a cohesive statement.
  • Coordinate articulation choices across all six parts so ornamental passages sound unified and deliberate.
  • Experiment with subtle dynamic shaping in the flourishes to add dimension without losing clarity of the underlying carol.

How to use it

Slot this into a holiday concert as a lighter moment that still demonstrates your section's technical facility, or pair it with other carols for a thematic set. Its moderate demands and festive character make it work well whether you're closing a concert with something uplifting or opening with a warm, inviting number.

Skills your students will build

  • Executing scalar passages with clarity and consistent tone across registers
  • Balancing ornamentation with the underlying melodic structure
  • Coordinate articulation and phrasing across multiple independent lines
  • Controlling dynamic shaping through embellished figures

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