Angels Greet with Anthems Sweet (What Child is This?): Violin 2
What Child is This?
Arranged by Chris Thomas
Grade: 4
Item: 98-PC-DST6547_VN2
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About the Arranger: Chris Thomas

Chris Thomas composes for film, television, and themed entertainment venues worldwide. His concert works have premiered at Carnegie Hall, the Sydney Opera House, and the Hollywood Bowl. He has earned a Hollywood Music in Media Award, two second-place finishes in the American Prize in Composition, a Global Music Award, and the Gold Medal at the Park City Film Music Festival. His orchestrations appear in Emmy-nominated films and streaming productions for major studios including Sony, ABC, FOX, CBS, and HBO.
Thomas brings cinematic sensibilities to concert music. His work for theme parks (Evermore Adventure Park, Knott's Berry Farm, The Void, and Dreamland Theme Park UK, among others) demonstrates his gift for creating immersive soundscapes. In 2019, he delivered a TED Talk centered on his Symphony No. 1, the Malheur Symphony, establishing him as both a composer and communicator. His catalog spans orchestration, conducting, and composition across media.
Why we love this
Thomas channels his film scoring expertise into this arrangement, transforming a beloved carol into something genuinely theatrical without losing its spiritual core. The Vaughan Williams influence brings sophistication and orchestral color that your players will love to hear emerging from their instruments, while the cinematic language keeps rehearsals engaging and the performance memorable.
What to expect
Cinematic and luminous, this arrangement wraps a familiar melody in sumptuous strings and unexpected harmonic turns. There's grandeur here without sentimentality, warmth without simplicity. The Golden Age Hollywood sound Thomas brings creates an intimate, almost reverent quality that feels both contemporary and timeless.
Who it's for
String orchestra directors seeking a sophisticated holiday offering that transcends typical pops fare. Players at Grade 4 will find parts that are challenging but rewarding, with solo opportunities that spotlight your strongest musicians.
How to get the most out of it
- Balance the soprano recorder or solo violin against the string texture; this line needs to soar but never disappear into the ensemble. Test levels during sectionals before the first full rehearsal.
- Shape the dramatic suspensions with deliberate breath, allowing them to land fully before resolving. These moments are what make the arrangement distinctive.
- Use the dense harmonies as a guide to intonation; pull the ensemble together around the lush sonorities rather than rushing through them.
- Bring warmth to the Hollywood-tinged passages by encouraging sustained, singing tone from all sections. This isn't chamber music thinness; it's orchestral richness.
How to use it
Program this as a centerpiece for your winter concert, perhaps pairing it with a smaller ensemble piece to show range. Its dramatic arc and solo feature make it an ideal finale or emotional high point. The Grade 4 level means you can place it confidently in a mixed-difficulty concert without concern.
Skills your students will build
- Balancing solo line against ensemble texture
- Shaping suspensions and harmonic resolutions
- Sustaining warm, singing tone at orchestra scale
- Reading lush, chromatic harmony with secure intonation
- Following a conductor's dramatic pacing and rubato