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Angels from the Realms of Glory: Concert Band Conductor Score & Parts

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Angels from the Realms of Glory Cover Image

Angels from the Realms of Glory: Concert Band Conductor Score & Parts

By Henry T. Smart / arr. Robert W. Smith and Michael Story

Grade: 2 (Easy)

Item: 00-32483

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Description
This hauntingly beautiful holiday melody has been masterfully scored for your second year ensemble. Scored by the dynamic writing team of Robert Smith and Michael Story in conjunction with Book Two of Band Expressions™, this is certain to be met with acclaim. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Angels from the Realms of Glory: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Band Expressions
Publisher: Alfred Music
Page Count: 132
UPC: 038081393193
SKU: 00-32483

More about this title

About the Composer: Henry T. Smart

Henry T. Smart (1813-1879) was a British organist and composer whose sacred music became a cornerstone of Victorian church and concert hall repertoire. His melodies combined strong harmonic sense with memorable, singable lines that made his work accessible to both professional musicians and amateur ensembles alike.

Smart's prolific output included organ works, cantatas, and hymn tunes that remain in active use in educational settings. "Angels from the Realms of Glory" exemplifies his gift for crafting melodies that feel both timeless and immediately familiar to performers and audiences.

Why we love this

Robert Smith and Michael Story have captured the serene, reverent character of this beloved hymn without overwhelming a second-year band. The scoring sits perfectly in young ensemble comfort zones while maintaining the dignity the melody deserves. This arrangement delivers genuine musicality and winter programming relevance without requiring advanced techniques.

What to expect

Tranquil and reverent, with an underlying sense of wonder. The familiar melody unfolds gently, supported by warm harmonic textures that feel both traditional and intimate, inviting the listener into quiet reflection.

Who it's for

This arrangement serves second-year bands seeking authentic holiday repertoire that neither talks down to students nor demands advanced proficiency. Directors programming winter concerts will find a piece that sounds polished and purposeful without requiring extensive sectional work or complicated musical concepts.

How to get the most out of it

  • Shape the melody through careful attention to breath marks and phrase endpoints. Even in a straightforward arrangement, young players tend to play phrase-to-phrase rather than line-to-line; guide them toward longer musical statements.
  • Balance sustained harmony parts with the primary melody line. Second-year bands often release energy in accompaniment voices; remind players that their supporting material creates the harmonic foundation and must remain engaged throughout.
  • Control the tempo and resist rushing through passages with repeated rhythmic patterns. The contemplative nature of this piece demands restraint and steady pulse, especially in sections where many students have the same rhythmic figure.
  • Mark cutoffs clearly and rehearse them deliberately. Young ensembles benefit from seeing exactly where releases happen, which prevents ragged endings and builds precision.

How to use it

Slot this into a winter concert as an opening number to establish a contemplative mood, or pair it with contrasting holiday selections to showcase your band's range. Its accessibility makes it ideal for a mid-program moment when you want to shift emotional tone without losing your audience's engagement.

Skills your students will build

  • Sustaining long melodic lines through phrase shaping
  • Balancing melody and accompaniment voices within an ensemble
  • Maintaining steady tempo and pulse through repeated rhythmic figures
  • Executing clean ensemble cutoffs and releases
  • Reading and performing sacred/hymn-based concert band literature

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