Angel Eyes Cover Image

Angel Eyes: Jazz Ensemble Conductor Score & Parts

$48.00 USD
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Angel Eyes Cover Image

Angel Eyes: Jazz Ensemble Conductor Score & Parts

Words and music by Earl Brent and Matt Dennis / arr. Carl Strommen

Grade: 2 (Medium Easy)

Item: 00-43671

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Description
Angel Eyes arranged by Carl Strommen is a superb ballad, allowing your alto soloist to shine. Played at 76 BPM, trumpet 1 range is to written E top space with some optional 8va sections if desired. Check out the wonderful melody written by Earl Brent and Matt Dennis. (3:02)

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 52
UPC: 038081494104
SKU: 00-43671

More about this title

Why we love this

Carl Strommen's arrangement sits perfectly at Grade 2, giving young jazz ensembles immediate access to a standard without oversimplifying the harmonic language or feel. The alto solo takes center stage in a way that genuinely serves the soloist, and the supporting ensemble writing is clean enough to let the ballad breathe without getting lost in dense voicings.

What to expect

Intimate and warm, this ballad invites the listener into a quiet moment. The alto voice floats above the ensemble with vulnerability, supported by subtle harmonic movement and a rhythm section that swings without rushing.

Who it's for

Young jazz ensembles with a solid alto soloist and basic ensemble fundamentals in place. This Grade 2 arrangement works well for groups new to ballad playing who need a standard that teaches ballad phrasing and rubato without excessive technical demands.

How to get the most out of it

  • Set the tempo thoughtfully at 76 BPM; this slower ballad tempo requires steady ensemble pulse and exposes any rhythm section rushes, so anchor the groove early in rehearsal.
  • Balance the alto solo forward in the mix while ensuring the ensemble comping stays transparent; the arrangement only works if listeners hear the melody clearly against the backdrop.
  • Explore the optional 8va sections for trumpet 1 to gauge what serves your section's abilities and your concert hall's acoustics; the written range to E top space is already accessible, so use the octave option selectively for impact.

How to use it

Pair this with up-tempo standards to create a concert arc; a ballad of this quality can anchor a jazz ensemble set and gives audiences a chance to hear your ensemble's control and ensemble blend. It also works well for jazz festival appearances where ballad selections stand out.

Skills your students will build

  • Ballad phrasing and rubato in a jazz context
  • Solo accompaniment and transparent ensemble comping
  • Swing articulation at a slower tempo
  • Dynamic control and intonation in sustained harmony

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