Andante (from Prince Igor): Concert Band Conductor Score & Parts

Name: Andante (from Prince Igor ): Concert Band Conductor Score & Parts
Brand: Alfred Music
SKU: 00-35370
Price: 50.00 USD
Availability: InStock

By Alexander Borodin / arr. Jack Bullock

Grade: 2 (Easy)

Item: 00-35370

$50.00

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Alexander Borodin (1833--1887) was a well-known Russian composer, particularly for his opera, Prince Igor. Borodin was in the middle of composing the piece when he suddenly died. Rimsky-Korsakov and another Russian composer, Alexander Glazanov, completed the unfinished score and the opera had its debut in November of 1890. During the overture prelude, a beautiful flowing melody from Act III, entitled "Andante," is an emotional addition to the young band literature. Most musical! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Andante (from Prince Igor): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Belwin Young Band

Publisher: Alfred Music

Page Count: 210

UPC: 038081419831

SKU: 00-35370

More about this title

About the Composer: Alexander Borodin

Alexander Borodin (1833-1887) was a Russian composer whose musical output was constrained by his demanding career as a chemist and medical researcher. Despite these professional obligations, he produced several works of enduring significance, most notably the opera Prince Igor, which consumed much of his compositional energy over more than a decade. Borodin's death left the opera incomplete; his colleagues Nicolai Rimsky-Korsakov and Alexander Glazanov undertook the considerable task of finishing the score, allowing Prince Igor to premiere in 1890.

Borodin's compositional style blends Russian nationalist elements with romantic lyricism and sophisticated harmonic language. His melodies possess a singing quality that translates naturally to band arrangement, and his gift for orchestral color translates remarkably well to wind instruments. The Andante from Prince Igor exemplifies this quality: a melody of genuine emotional depth that rewards careful, expressive playing.

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Why we love this

This arrangement captures the sweeping lyricism of Borodin's opera without demanding advanced technical facility from young players. Jack Bullock's scoring gives Grade 2 musicians access to genuine masterwork material, making it an excellent vehicle for teaching phrasing and musical storytelling rather than finger work. The piece works beautifully in concert settings and festivals where you want to program something substantive without overwhelming an early intermediate ensemble.

What to expect

The Andante unfolds with the unhurried grace of a Russian folk melody, full of warmth and wistfulness. Borodin's characteristic harmonic language creates moments of gentle surprise, and the piece breathes with the kind of spaciousness that invites players to think in terms of long lines rather than individual notes.

Who it's for

Grade 2 concert bands ready to engage with music from the standard repertoire. Young musicians in this ensemble will find the part writing clear and gratifying, with each section contributing meaningfully to the overall sound. Directors seeking repertoire that develops musicianship and interpretive skills alongside basic technical competence will find this a natural fit.

How to get the most out of it

Shape the primary melody with attention to the arch of each phrase; Borodin's lines breathe naturally when conductors resist the urge to keep steady dynamics throughout.
Balance the inner voices carefully during tutti passages so the main theme remains prominent even when supported by fuller instrumentation.
Allow slight rhythmic flexibility in the lyrical sections to accommodate the song-like character of the material; mechanical precision works against the piece's emotional intent.

How to use it

This work pairs naturally with other Romantic-era arrangements at the Grade 2 level and can anchor a concert devoted to operatic themes. Its emotional maturity makes it particularly effective as a contrast to lighter opening selections, and its moderate length fits well in festivals where time is structured.