Andante et Scherzo, Op. 44 Cover Image

Andante et Scherzo, Op. 44: Conductor Score & Parts

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Andante et Scherzo, Op. 44 Cover Image

Andante et Scherzo, Op. 44: Conductor Score & Parts

By Henri Busser

Item: 36-M196491

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Description
Written in 1911 by Henri Büsser (1872-1973) as a Paris Conservatory audition piece, Andante and Scherzo, Op. 44, is a wonderful contribution to the solo trumpet literature.

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Additional Details
Series: Master Brass Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361764-5
ISBN13: 978-1-63-361764-3
UPC: 660355133596
SKU: 36-M196491
Instrumentation: Trumpet and Piano

More about this title

About the Composer: Henri Busser

Henri Busser (1872, 1973) was a French conductor and composer who spent much of his career at the Paris Opéra. His work as both musician and educator shaped a deep understanding of what performers need: music that challenges without overwhelming, that sits naturally in the instrument's voice, and that builds technique through musicality rather than raw difficulty.

Busser composed Andante et Scherzo, Op. 44, as an audition requirement for the Paris Conservatory, meaning it reflects his conviction about what deserves a place in a young musician's repertoire. The piece carries the mark of someone who knew orchestration intimately and understood how to write for solo voice within harmonic richness.

Why we love this

This piece bridges the gap between lyrical musicianship and rhythmic vitality without asking for extended technique or circus-level range. The audition-piece pedigree means every measure earns its place; there's nothing padding the score. Pianists will appreciate the genuine partnership in the accompaniment rather than the typical "oom-pah" support found in many solo-with-piano works.

What to expect

The opening Andante unfolds with French elegance, singing with a lyrical warmth that sits comfortably in the trumpet's expressive range. The Scherzo pivots sharply into rhythmic wit and lightness, full of dance-like figures that demand clarity and charm rather than brute force.

Who it's for

Intermediate to advanced high school soloists preparing for contests, auditions, or recital performances. Conservatory students building a classical trumpet solo repertoire will find this piece particularly valuable given its historical credentials and musical substance.

How to get the most out of it

  • Shape the Andante with long-line phrasing rather than beat-by-beat articulation. The harmonic movement underneath carries enough momentum that you can trust sustained legato without it dragging.
  • Establish a clear tempo relationship between the two sections before rehearsal begins. The Scherzo should feel like a rhythmic liberation rather than an abrupt gear shift.
  • Balance the dynamic arch of each phrase within the Andante so the accompanying harmonies are never buried. The piano here is not filler.
  • In the Scherzo, precision with the rhythmic figures matters more than speed. Clarity of articulation and rhythmic confidence will read as virtuosity more effectively than rushing the tempo.

How to use it

Schedule this as a solo spotlight in a concert that pairs classical chamber works, or program it alongside other salon-era pieces from the late 19th century. It also works well as an audition selection for musicians seeking repertoire with serious musicianship credentials but without the technical extremes of later 20th-century pieces.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and intonation
  • Balancing lyrical phrasing across phrase boundaries in the Andante
  • Quick articulation and rhythmic precision in scherzo-form material
  • Ensemble listening and adjusting dynamics to blend with piano accompaniment
  • Interpretation of French musical style and period-appropriate ornamentation

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