Andante and Rondo Cover Image

Andante and Rondo: Trombone & Piano

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Andante and Rondo Cover Image

Andante and Rondo: Trombone & Piano

By Antonio (Giuseppe) Capuzzi / ed. Philip Catelinet

Item: 98-H1474

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Description
The Andante and Rondo movements from Antonio Capuzzi's classical Double Bass Concerto are here expertly arranged for tuba (or other low brass instruments - contains parts for tuba/euphonium/trombone/E-flat bass and B-flat bass) by Philip Catelinet, the former principal tuba of the London Symphony Orchestra and dedicatee of Ralph Vaughan Williams's Tuba Concerto. Contains separate instrumental part(s) and piano reduction.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-708229-9
ISBN13: 979-0-57-708229-5
SKU: 98-H1474

More about this title

About the Composer: Antonio (Giuseppe) Capuzzi

Antonio Capuzzi (1755, 1818) was an Italian cellist and composer whose concertante works for low strings established him as a significant voice in late 18th-century instrumental music. His Double Bass Concerto remains one of the most important classical works in that instrument's repertoire, valued equally for its structural clarity and its ability to showcase technical brilliance within a lyrical framework.

Why we love this

Philip Catelinet's arrangement captures the full character of Capuzzi's original while giving trombone players access to music that sits naturally in their range and voice. The Andante unfolds with genuine melodic substance, and the Rondo provides rhythmic clarity and charming Classical-era wit without asking for compromise in the musical experience.

What to expect

The Andante flows with the unhurried elegance of late 18th-century instrumental writing, privileging long lines and harmonic gentleness. The Rondo dances with courtly charm, built on clear melodic gestures and uncomplicated joy in the interplay between soloist and piano.

Who it's for

Intermediate to advanced trombonists seeking substantial solo material beyond the standard Romantic concerto repertoire. Teachers looking for Classical-era works that develop musicality alongside technical facility will find this particularly valuable for recital and audition preparation.

How to get the most out of it

  • Shape the Andante's opening phrases with gentle dynamic swell rather than linear crescendo; let the piano establish harmonic foundation while your tone floats above it.
  • In the Rondo, clarity of articulation matters more than speed. Capuzzi's Classical sensibility rewards clean note separation and crisp rhythmic definition.
  • Balance your volume carefully in slower passages so the piano part remains conversational; this is chamber music, not a concerto performance.

How to use it

Pair this with Romantic-era trombone works to show the Classical roots of the modern solo repertoire, or feature it on a recital as a bridge between contemporary music and the traditional canon. Its moderate length makes it ideal for student showcases where you want substantial musicality without extended performance demands.

Skills your students will build

  • Phrasing in Classical style (balancing melodic shape against harmonic structure)
  • Chamber music collaboration (listening to and responding to piano part)
  • Sustained lyrical tone production in the staff
  • Rhythmic clarity in articulated passages
  • Dynamic control in extended melodic lines

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