Andaluza Cover Image

Andaluza: Brass Choir Score & Parts

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Andaluza Cover Image

Andaluza: Brass Choir Score & Parts

Spanish Dance No. 5

By Enrique Granados / arr. David Marlatt

Level: Medium

Item: 81-BC19113

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Description
This Andaluza (or "Playera") is part of a set of 12 Spanish dances written in 1890. The color and harmonies lend themselves so well to the sonorities of a mixed brass ensemble with colorful percussion. Olé!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-623-5
ISBN13: 978-1-77157-623-9
UPC: 685462026241
SKU: 81-BC19113

More about this title

About the Composer: Enrique Granados

Enrique Granados (1867-1916) was a Spanish pianist and composer whose gift for lyrical melody and rich harmonic color defined Spanish romantic music. His works draw deeply from folk idioms and dance traditions, particularly the rhythms and emotional contours of Andalusian culture. Granados achieved international recognition during his lifetime, performing across Europe and the Americas, and his compositions remain central to piano and chamber music repertoires.

His most famous work, Goyescas, demonstrates the pianistic brilliance and theatrical imagination that characterize his entire output. The twelve Spanish dances from which this Andaluza is drawn showcase his ability to capture regional character through melody and orchestration, making them ideal sources for ensemble arrangements that preserve their essential color and spirit.

Why we love this

Granados wrote with such specific harmonic color that brass ensembles thrive on this material. David Marlatt's arrangement respects the original's lyrical architecture while unlocking textures that feel natural on brass instruments, letting each section shine without sacrificing the piece's introspective, deeply Spanish character. This works beautifully in festival programs where you need something that stands apart from the standard brass repertoire.

What to expect

Granados' Andaluza evokes the languid, emotionally direct spirit of Andalusian folk music. Beneath its apparent simplicity lies sophisticated harmonic movement that deepens the piece's reflective character, creating moments of genuine tenderness alongside passages of rhythmic vitality. The brass choir arrangement preserves this emotional authenticity while adding warmth and resonance.

Who it's for

Medium-level brass choirs, community bands with strong brass sections, and high school ensembles ready to explore music beyond the standard brass band canon. Directors seeking repertoire that programs well at contests and showcases will find this piece both musically substantial and flexible enough for groups with varying instrumentation.

How to get the most out of it

  • Shape the opening melody with breath control and dynamic nuance; the hornline carries essential harmonic weight, so balance it carefully against the trumpet's lyrical lead.
  • Treat the rhythm section (baritone and tuba) as a flexible foundation that supports the harmony rather than a rigid pulse; slight flexibility in phrasing pays dividends here.
  • Let the percussion color the overall sonority without overwhelming the brass; these instruments should feel essential, not decorative.
  • The piece demands consistent vibrato in the sustained sections; clarify your ensemble's vibrato approach before rehearsals begin.

How to use it

Program this as a contrasting middle section in a concert of Spanish or Latin American music, where its introspective character offers repose between more extroverted works. It also serves as an excellent festival entry, providing judges with evidence of ensemble musicianship and interpretive depth. Consider pairing it with lighter Spanish-influenced works to create a thematic programming block.

Skills your students will build

  • Phrasing legit melodies across a brass ensemble with consistent tone quality
  • Balancing multiple voices in mid-range harmonies typical of Spanish romantic writing
  • Responding to harmonic tension and resolution in post-tonal functional harmony
  • Coordinating with percussion accompaniment while maintaining ensemble integrity
  • Sustaining expressive playing over longer phrases without sacrificing intonation

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