Andalucia Suite: No. 2 'Andalucia' (Andaluza) Cover Image

Andalucia Suite: No. 2 'Andalucia' (Andaluza): Full Orchestra, Score and Parts

$60.00 USD
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Andalucia Suite: No. 2 'Andalucia' (Andaluza) Cover Image

Andalucia Suite: No. 2 'Andalucia' (Andaluza): Full Orchestra, Score and Parts

By Ernesto Lecuona, arr. Morton Gould

Item: 36-A603190

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Description
Originally composed for piano, this orchestration from Lecuona's celebrated Andalucia Suite by Morton Gould is a sure crowd-pleaser! Instrumentation: 2(1st dPicc).2.2.2: 4Sax(AATB): 2.3.2.1: Timp.Perc(2-3): Gtr.Hp: Str (9-8-7-6-5 in set): PF Cond Sc in set. Significant cues in the parts offer flexibility in instrumentation.

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
UPC: 654690630537
SKU: 36-A603190
Instrumentation: 2(1st dPicc).2.2.2: 4Sax(AATB): 2.3.2.1: Timp.Perc(2-3): Gtr.Hp: Str (9-8-7-6-5 in set): PF Cond Sc in set

More about this title

About the Composer: Ernesto Lecuona

Ernesto Lecuona (1895-1963) was a Cuban composer and pianist whose works captured the rhythmic vitality and harmonic richness of Caribbean music. His prolific output included operas, concertos, and countless piano pieces that blended Spanish and Cuban idioms with European classical technique. Lecuona's music remains a cornerstone of orchestral pops programming, offering conductors accessible yet sophisticated material that audiences find immediately engaging.

Why we love this

Morton Gould's orchestration transforms Lecuona's lyrical piano original into a vivid ensemble showpiece without losing the melody's warmth. The built-in flexibility (significant cues allow you to adjust for available instrumentation) means you can perform this with your full complement or scale it down when needed. It's the kind of piece that reminds orchestras why pops concerts matter: immediate, colorful, and genuinely moving.

What to expect

Andalucia evokes a moonlit Spanish courtyard: the main melody sings with unhurried elegance while the orchestration shimmers with guitar and harp colors beneath. There's romance and dance woven together, never rushed, always lyrical.

Who it's for

Orchestras at the intermediate level and above seeking repertoire that balances musical substance with audience accessibility. Directors programming pops concerts, community orchestra seasons, or family concerts will find this well-suited to mixed ensembles and diverse audiences.

How to get the most out of it

  • Balance the harp and guitar carefully in the accompaniment figures; they should enhance rather than compete with the string melody.
  • Shape the main theme with rubato and lean into the lyrical phrasing typical of Spanish-influenced music rather than playing it metrically straight.
  • Let the percussion texture breathe and add color without overwhelming the orchestration; this piece thrives on warmth, not drive.
  • Secure clear cutoffs among the wind sections during the rhythmic accompaniment passages to maintain the dancing quality without muddiness.

How to use it

This works beautifully as a pops concert centerpiece or as a bridge piece between heavier symphonic works and lighter fare. Its moderate length and accessible charm make it ideal for building audience engagement without requiring a specialized soloist.

Skills your students will build

  • Phrasing and rubato in lyrical, Spanish-influenced melody
  • Balance and blend in coloristic orchestration (harp, guitar, winds combined)
  • Stylistic control of dance-influenced rhythmic accompaniment patterns
  • Flexibility in instrumentation reading and adjustment from full score

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