Andalasia / Even More Enchanted (arr. Alan Billingsley) Sheet Music Preview

Andalasia / Even More Enchanted (arr. Alan Billingsley): SAB Choral Octavo

By Alan Menken / By Stephen Schwartz / Arranged by Alan Billingsley

Item: 35-DS01390756

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01390756

More about this title

About the Composer: Alan Menken

Alan Menken has shaped the sound of modern musical theatre and film animation for over four decades. His scores for Disney's animated features, from The Little Mermaid through Tangled and beyond, introduced millions of people to sophisticated harmonic writing and memorable melodic invention wrapped in accessible pop sensibilities. In the classroom and rehearsal room, his work serves as a bridge between contemporary songwriting and the harmonic complexity that serious musicians need to master.

Why we love this

Alan Billingsley's SAB voicing captures the theatrical charm of Menken's writing without demanding soprano soloists or creating balance issues in mixed ensembles. The arrangement sits comfortably across a range of vocal maturity levels, making this ideal for choirs that include developing singers while still offering enough musical substance to engage your stronger voices. It's a crowd-pleasing choice that doesn't sacrifice musicianship.

What to expect

You get the enchantment and wistfulness of Andalasia paired with the joyful celebration of Even More Enchanted, creating a mini-arc that feels complete in itself. Menken's harmonic language is warm and engaging without leaning into saccharine territory, leaving plenty of room for your choir to find genuine expression in the music.

Who it's for

High school and community choirs seeking accessible yet musically satisfying repertoire that connects with audiences. It works equally well for groups building confidence in three-part writing and for ensembles looking to program contemporary film music alongside more traditional concert fare.

How to get the most out of it

  • Shape the melodic phrases with clear direction rather than treating them as a series of notes. Menken's lines want to breathe and land on harmonic destinations, so conduct through the music rather than subdividing.
  • Balance the three voices so the melody emerges without requiring the sopranos to oversing. SAB arrangements benefit from attentive middle part writing, and Billingsley's altos and basses deserve equal voice production.
  • Explore the emotional arc between the two songs. The medley works best when singers understand the contrast in character, allowing them to shift tone and energy distinctly.

How to use it

This medley works beautifully in a spring or end-of-year concert where you're blending contemporary repertoire with concert selections, or as a showstopper moment in a program built around film and stage music. It's also the kind of piece that engages student singers who grew up with these films, making it a smart choice for building choir culture and attendance.

Skills your students will build

  • Singing sustained legit phrases in a pop idiom
  • Three-part voice independence without excessive technical difficulty
  • Harmonic awareness in functional diatonic progressions
  • Emotional storytelling and character development in secular song
  • Ensemble blend and balance across voicing levels

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