And We Shall Sail (with "The Water Is Wide") Sheet Music Preview

And We Shall Sail (with "The Water Is Wide"): 2-Part Choral Octavo

Arranged by Glenda E. Franklin

Item: 35-DS01159481

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01159481

More about this title

Why we love this

Franklin's arrangement pairs two folk traditions seamlessly, creating a layered texture that rewards both beginning and experienced singers. The 2-part writing sits comfortably in accessible ranges while maintaining genuine harmonic interest, making it a rare piece that doesn't sacrifice musicality for ease. It's the kind of arrangement that singers remember and audiences recognize immediately.

What to expect

Contemplative and flowing, like water itself. The interweaving melodies create a gentle inevitability, grounded in folk authenticity but shaped with concert hall awareness.

Who it's for

Middle school and high school choirs seeking accessible 2-part repertoire with real substance. Directors looking for programming that bridges folk traditions with concert settings will find a rehearsal-efficient option here.

How to get the most out of it

  • Balance the two melodies so "The Water Is Wide" emerges clearly as the anchoring voice while "And We Shall Sail" weaves around it. This requires restraint from the upper line, not volume reduction.
  • Lean into the lyrical phrasing of the traditional melodies rather than treating them metrically. These folk lines breathe naturally, and rushing them flattens the emotional core.
  • Let the text inform your interpretation of tempo. The contemplative nature of both songs benefits from deliberate pacing, even if the piece itself isn't marked slowly.

How to use it

This arrangement works well as a concert closer or a bridge piece between a formal first half and lighter closing numbers. It also pairs naturally with other folk-based choral work or sits effectively as a solo feature within a larger thematic program exploring tradition and navigation.

Skills your students will build

  • Singing two independent melodic lines with textural clarity
  • Sustaining lyrical phrasing across longer musical phrases
  • Blending traditional folk material with arranged harmony
  • Balancing melody and supporting line within a 2-part texture

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