And So It Goes: String Orchestra Conductor Score & Parts

Larry Moore's arrangement translates Joel's introspective songwriting into genuinely singable string lines without sacrificing the tune's emotional core. At Grade 3-4, it's substantial enough to hold an audience's attention while remaining accessible to most school orchestras, making it an ideal choice when you need something that sounds sophisticated but plays within reach.

The piece unfolds with quiet dignity and contemplative warmth. Flowing melodic lines weave through the string sections, creating a sense of gentle forward motion that feels both intimate and expansive.

Orchestras working at the early intermediate level who need repertoire with broad appeal for concerts, pep assemblies, and special events. This arrangement works equally well for groups still building ensemble cohesion and those looking to program something contemporary alongside classical standards.

• Emphasize the legato character throughout; each phrase should sing rather than simply pass between players. Encourage sustained tone quality and smooth voice leading between sections.
• Balance the melody between first violins and whatever section carries it at any given moment. The arrangement's strength lies in its flowing lines, so resist the urge to push dynamics beyond what's necessary for clarity.
• Let the tempo breathe slightly during phrase endings. This piece benefits from subtle rhythmic flexibility that mirrors the reflective nature of the original song.
• Pay attention to intonation during sustained notes and chords; the simplicity of the arrangement means tuning problems become immediately apparent.

Consider pairing this with other contemporary songs arranged for strings to create a pops segment, or use it as a reflective interlude between more energetic numbers. Its three minute duration makes it ideal for concert openers or closers that set a particular mood for the evening.

• Sustaining long phrases with consistent tone quality
• Balancing harmonic blend within and between string sections
• Following transparent melodic writing across multiple parts
• Responding to subtle tempo and dynamic shaping
• Intonation precision during sustained harmonic passages