And Love Is No More Cover Image

And Love Is No More: Concert Band Conductor Score

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And Love Is No More Cover Image

And Love Is No More: Concert Band Conductor Score

By Bill Thomas

Grade: 3

Item: 81-CB10181S

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Description
And Love Is No More combines the melodies from two beautiful Canadian folk songs: "She's Like the Swallow" and "The Blooming Bright Star of Belle Isle." The piece provides an excellent opportunity to work on your ensemble's expression and lyrical technique.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 12
ISBN10: 1-55473-577-7
ISBN13: 978-1-55473-577-8
UPC: 685462015788
SKU: 81-CB10181S

More about this title

Why we love this

Bill Thomas has crafted something rare here: a Grade 3 piece that doesn't simplify folk material into submission. The orchestration respects the melodic integrity of both Canadian sources while giving your ensemble genuine musical work to do. This score teaches lyrical playing without requiring advanced technique.

What to expect

Warm and reflective, with the gentle melancholy of Canadian maritime tradition running through both melodies. The piece invites your ensemble to play with restraint and genuine emotion rather than technical flash. There's a contemplative beauty here that lingers.

Who it's for

Band directors working with Grade 3 ensembles who want to develop expressive, lyrical playing without resorting to overly simple or saccharine arrangements. This score fits programs where musicianship and tone quality matter as much as technical achievement.

How to get the most out of it

  • Balance the primary melody across your first clarinets and flutes; these two folk songs deserve clarity, and competing inner voices will muddy their beauty.
  • Shape each phrase with intention rather than static dynamics. Folk songs live in their breath, so rehearse the natural arrival points and releases.
  • Listen for how the second melody answers or complements the first. Your ensemble will engage more deeply if they understand the conversation happening between the two tunes.
  • Use the 12-page length as an opportunity for repeated rehearsal of full-piece phrasing; Grade 3 bands benefit from playing through complete musical thoughts multiple times.

How to use it

This works exceptionally well as a concert closer or a bridge between more energetic selections. The folk character and lyrical demands make it ideal for spring concerts, pops programs, or any setting where you want to showcase your band's musicianship and tone. Consider pairing it with other folk-based arrangements to create a thematic set.

Skills your students will build

  • Expressive phrasing and dynamic shaping within a lyrical context
  • Sustained melodic clarity across changing voicings
  • Balance between primary melody and supporting harmonies
  • Control of vibrato and tone color in slow, exposed material

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