And All the Bells on Earth Shall Ring: 2nd Flute
Featuring: I Saw Three Ships / Ding! Dong! Merrily on High / I Heard the Bells of Christmas Day / Ukrainian Bell Carol
Various / arr. Douglas E. Wagner
Grade: 3 (Medium Easy)
Item: 00-PC-0016778_F2
$3.00
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Description
One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including; "I Saw Three Ships," "Ding! Dong! Merrily on High", "I Heard the Bells on Christmas Day," and "Ukrainian Bell Carol," the bells are all around us in December, ringing from church towers, in shopping malls, and on street corners, never failing to bring smiles and happy feelings. (3:30)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, And All the Bells on Earth Shall Ring: 2nd Flute comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Belwin Concert Band
Publisher:
Alfred Music
Page Count:
240
SKU:
00-PC-0016778_F2
More about this title
About the Arranger: Douglas E. Wagner
Douglas E. Wagner, born in Chicago and trained at Butler University with both undergraduate and graduate degrees in music, brought three decades of high school teaching and administrative experience to his compositional work. Since 1973, he has published over 3,500 compositions spanning choral literature, concert band, orchestra, handbell ensembles, organ, piano, and vocal music, with his work reaching audiences across concert halls, radio, television, and international broadcasts.
Wagner's catalog has sold well over seventeen million copies worldwide, establishing him as one of the most prolific and performed composers in American music education. He now resides in Indianapolis with his wife, Sandy, and continues to focus exclusively on composition and related work.
Why we love this
Wagner captures the heart of holiday bell imagery without relying on a single carol or tired medley approach. His orchestration balances accessibility at Grade 3 with genuine musicality, giving students a piece they can play with real confidence and directors a concert staple that audiences genuinely anticipate hearing year after year.
What to expect
Bright, festive, and grounded in familiar melodies that evoke the warmth of December traditions. The arrangement lets bell imagery shine through clear orchestration and hymn-tune harmony, creating an experience that feels celebratory without becoming carnival-like.
Who it's for
Concert bands working at Grade 3 level who want repertoire that speaks directly to the holiday season without sacrificing musical substance. Directors seeking a piece that engages audiences, balances the band's full sound, and gives students the satisfaction of playing recognizable material with genuine artistry.
How to get the most out of it
- Balance the bell-inspired passages with clarity in the ensemble; these moments deserve the same articulation precision you'd ask of a melodic solo.
- Lock the rhythm section on the hymn-tune material so the upper voices can breathe and shape their phrasing without rhythmic hesitation.
- Use the arrangement's straightforward harmonic language as an opportunity to work on blend and intonation rather than fighting complex voicing.
- Build dynamic contrast between sections deliberately; this piece relies on clarity and character work more than volume extremes.
How to use it
Program this as a concert anchor for your winter concert, where its three and a half minute duration and immediate audience appeal work perfectly as a program closer or signature piece. It sits comfortably alongside both standard Christmas fare and original concert band works, making it an ideal bridge between familiar holiday material and your ensemble's broader repertoire.
Skills your students will build
- Articulation control in bell-inspired figures and sustained passages
- Ensemble blend and intonation within hymn-tune harmonies
- Phrasing and shaping of familiar melodic material
- Dynamic contrast and architectural clarity in multi-sectional arrangements