And All That Jazz (from Chicago): Marching Band Conductor Score

Jerry Burns delivers an arrangement that captures the swagger and sophistication of the original while remaining genuinely playable at the 1.5 level. The orchestration is smart without being busy, giving every section something to do while keeping the focus on that unforgettable melody. This is the rare arrangement that sounds polished in performance but doesn't demand virtuosity to execute.

Sleek, confident, and dripping with theatrical flair. The arrangement captures the defiant energy of the Chicago stage while maintaining the jazzy sophistication that made the original a standard. It's the kind of piece that makes a crowd sit up and pay attention.

This conductor score is designed for marching band directors seeking accessible yet sophisticated show repertoire. Groups at the 1.5 level can execute this cleanly while still delivering a piece that audiences recognize and enjoy.

• Shape the melody with confidence. This tune thrives on attitude and clear phrasing rather than technical flashiness, so commit to the character from the downbeat.
• Balance the brass and reeds so the melody stays on top. At this level, it's easy for accompaniment to overwhelm the main line.
• Lock the rhythmic groove from the first rehearsal. The jazz feel depends on consistent articulation and subdivision across the ensemble.
• Use the recorded accompaniment to nail the tempo and feel. The 1:27 duration reflects the intended pace, and matching it helps the piece land with maximum impact.

Program this as a production number or feature for your drill team and auxiliary. The manageable length and recognized title make it ideal for pops concerts, community events, or fall shows where you want something that lands without demanding extensive rehearsal time from your ensemble.

• Jazz articulation and phrasing
• Playing with rhythmic precision in a syncopated style
• Balancing melody and accompaniment textures
• Interpreting style and character in a Broadway context