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And All That Jazz: SAB Choral Octavo

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And All That Jazz: SAB Choral Octavo

And All That Jazz: SAB Choral Octavo

Arr. Charles Beale

Level: Elementary

Item: 12-0571537820
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Description
John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago is perhaps their greatest and best-loved show of them all. On the surface "And All That Jazz" is a celebration of bohemian excess of every conceivable kind. Sing the fantastic, show-stopping melody with great energy, have a ball and relish the rich word painting. There is an underlying dark side, however, which shows itself at the end when Roxie murders her unfaithful husband in anger. Vibrato is appropriate and a clear, well-tuned, brash sound that carries a mile is more important than a refined, classically rounded tone here. Make sure the words are exceptionally clear and above all, prioritize telling the story.

Faber Choral Singles offer a series of beautifully crafted arrangements in a diversity of musical styles for today's choirs. From Broadway, pop and folk to spirituals, gospel and original works, the Faber Choral Singles series guarantees the perfect repertoire for every occasion.

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Additional Details
Series: Faber Choral Singles
Publisher: Faber Music
ISBN10: 0-571-53782-0
ISBN13: 978-0-571-53782-2
UPC: 9780571537822
SKU: 12-0571537820
Instrumentation: with Piano

More about this title

About the Arranger: Charles Beale

Charles Beale is an arranger and composer with a gift for adapting beloved theatrical and popular music for choral ensembles. His work across the Faber Choral Singles series demonstrates a keen understanding of what makes a song land with singers and audiences alike, whether the source material is a Broadway standard or a folk tune.

Why we love this

Beale captures the theatrical swagger of "And All That Jazz" without requiring a full pit band. The SAB voicing sits comfortably across mixed ensembles while preserving the song's signature energy and storytelling punch, making it accessible for elementary-level choirs that still want to deliver something genuinely show-stopping.

What to expect

A whirlwind of jazz-age revelry and glamour that suddenly darkens. The melody is infectious and begs to be sung with flair; the rhythmic energy keeps everyone engaged. Underneath the celebration lurks something dangerous and morally complex, creating a satisfying dramatic contrast that elevates the piece beyond a simple fun song.

Who it's for

Elementary-level choirs ready to tackle a show-stopper with real dramatic depth. This works particularly well for mixed voice ensembles (SAB) where you have solid singers across all parts but may not yet have the range or technique of advanced groups.

How to get the most out of it

  • Treat the text with theatrical intention. Every word should land clearly; this is storytelling first, singing second. Rehearse diction separately if needed.
  • Embrace a brash, vibrant tone rather than chasing classical refinement. Vibrato is welcome here and serves the style. Encourage singers to sing with personality and attitude.
  • Lock the rhythm section early. The piano drives the groove, so pianists should feel confident laying down a steady, swinging pulse from the start.
  • Shape the arc toward the dramatic end. The shift from jubilant excess to Roxie's murderous rage is the emotional heart of the piece. Build tension in the final measures rather than letting energy flag.

How to use it

Pair this with other Kander and Ebb selections or jazz-inflected repertoire for a Broadway-themed concert. It also stands beautifully as a closer or penultimate number on a varied program, where its theatrical impact and darker undertones provide a memorable finale.

Skills your students will build

  • Stylistic singing in jazz idiom (swing rhythm, swing phrasing, brash tone quality)
  • Text clarity and intentional diction in a comedic and dramatic context
  • Dramatic interpretation and character portrayal within choral music
  • Understanding chord changes and harmonic movement in a jazz-influenced arrangement
  • Ensemble blend while maintaining individual vocal personality and energy

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