Lynn DeShazo has established herself as a significant voice in Christian music composition, particularly known for her work in congregational song and choral literature. Her compositions emphasize theological depth paired with singable, accessible melodies that resonate across worship settings and concert venues alike.
Why we love this
DeShazo's text setting feels natural and unforced, allowing the poetry to drive the phrasing rather than imposing artificial vocal lines. John Purifoy's SAB arrangement opens this piece to choirs that might struggle with four-part voicing while maintaining the harmonic sophistication that makes the original compelling. It's the kind of arrangement that feels neither dumbed down nor patronizing.
What to expect
The piece carries a reflective, contemplative quality that builds gradually without rushing toward climax. There's reverence in the harmonic language and earnestness in the melodic contour, creating an intimate emotional space even in fuller ensemble passages.
Who it's for
Directors programming sacred concerts or worship services who need strong choral material suited to three-part mixed ensembles. This works equally well for church choirs expanding their repertoire and school programs incorporating sacred music into concert programming.
How to get the most out of it
Pay attention to how the altos support the soprano line; they're not filler voices but essential to the harmonic color. Balance them appropriately so the chord quality remains clear.
The text carries weight here. Rehearse the lyrics as a unit before adding music, so singers understand what they're communicating rather than just executing notes.
Resist the urge to push tempo when emotion builds. Letting the harmony do the work instead of compensating with speed will deepen the piece's impact.
Blend the men's voices carefully on their passages; a thin or tentative baritone line will make the arrangement feel incomplete rather than streamlined.
How to use it
This sits comfortably on a program with other contemporary sacred works or as a moment of musical reflection between contrasting pieces. It's substantial enough to anchor a sacred section of a concert without requiring disproportionate rehearsal time.
Skills your students will build
Balancing SAB voicing to hear all three independent lines
Text expression and lyrical phrasing in sacred music
Harmonic listening and tuning in contemporary chord structures
Sustaining emotional intent through dynamic restraint
You May Also Like
Scan to Complete Your Purchase
Use your phone's camera to scan the code below
You'll log in on your phone and the order will be added to your account
