Ancient Lands: Concert Band Conductor Score & Parts
By Barry Milner
Grade: 2.5 (Medium Easy)
Item: 00-PK-0006789
$55.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Ancient Lands: Score | $8.00 | |
| Ancient Lands: Flute | $3.00 | |
| Ancient Lands: Oboe | $3.00 | |
| Ancient Lands: Bassoon | $3.00 | |
| Ancient Lands: 1st B-flat Clarinet | $3.00 | |
| Ancient Lands: 2nd B-flat Clarinet | $3.00 | |
| Ancient Lands: B-flat Bass Clarinet | $3.00 | |
| Ancient Lands: E-flat Alto Saxophone | $3.00 | |
| Ancient Lands: 2nd E-flat Alto Saxophone | $3.00 | |
| Ancient Lands: B-flat Tenor Saxophone | $3.00 | |
| Ancient Lands: E-flat Baritone Saxophone | $3.00 | |
| Ancient Lands: 1st B-flat Trumpet | $3.00 | |
| Ancient Lands: 2nd B-flat Trumpet | $3.00 | |
| Ancient Lands: 1st F Horn | $3.00 | |
| Ancient Lands: 1st Trombone | $3.00 | |
| Ancient Lands: 2nd Trombone | $3.00 | |
| Ancient Lands: Baritone T.C. | $3.00 | |
| Ancient Lands: Baritone B.C. | $3.00 | |
| Ancient Lands: Tuba | $3.00 | |
| Ancient Lands: Bass Drum | $3.00 | |
| Ancient Lands: Mallets | $3.00 | |
| Ancient Lands: Cymbals | $3.00 | |
| Ancient Lands: Timpani | $3.00 |
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Ancient Lands: Concert Band Conductor Score |
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Description
Inspired by English and Irish folksongs, this lovely yet brooding composition uses both Dorian and Mixolydian modes and the melody is characteristic of music from long ago. The quarter / eighth ostinato pattern is present throughout the piece---characteristic of the drone that is present in much of the folk music of England, Scotland, and Ireland. (3:35)
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Additional Details
Series:
Young Symphonic
Publisher:
Alfred Music
Page Count:
126
SKU:
00-PK-0006789
More about this title
About the Composer: Barry Milner
Barry Milner writes for concert band, orchestra, and film, with a catalog that spans educational ensembles and professional venues. His works appear regularly on state festival and contest lists, and his compositions have been reviewed in The Instrumentalist, School Band and Orchestra Magazine, and featured on the JWPepper editors' list multiple times.
Millner has taught at Eureka Springs School District in Arkansas and continues to develop his craft across genres, including orchestral film scoring. His creative process draws inspiration from travel to national parks and the natural world. More about his work can be found at www.barrymilner.com.
Why we love this
Ancient Lands captures the hypnotic quality of folk music without requiring advanced harmonic or rhythmic sophistication from your ensemble. The persistent ostinato and modal writing create an authentic, atmospheric sound at a grade level where students can still focus on blend, balance, and phrasing rather than fighting the notes.
What to expect
Ancient Lands evokes the mist and stillness of the British Isles, with the drone of bagpipes underlying a haunting melody that feels both old and quietly contemporary. The interplay of Dorian and Mixolydian modes creates an introspective, timeless quality that students and audiences recognize as authentically folk-based, even at first hearing.
Who it's for
This piece serves grade 2.5 bands looking for concert or festival music with genuine musical substance beyond their technical reach. Directors seeking to introduce students to modal harmony and world music influences will find this accessible yet artistically rewarding.
How to get the most out of it
- Emphasize the quarter/eighth ostinato as a harmonic foundation rather than percussion accompaniment. The drone quality depends on consistent texture support from the full band.
- Let the melody breathe naturally within the Dorian and Mixolydian frameworks. Avoid over-shaping phrases; the modal character resists traditional major/minor phrasing conventions.
- Shape dynamics around the brooding quality of the piece rather than conventional concert band arc. Restraint in the middle voices helps the folk melody stand out.
How to use it
Program this as a standalone concert piece to demonstrate modal writing and folk music influence to your audience, or pair it with other English or Celtic-inspired works for a thematic concert. Its three-and-a-half minute duration fits naturally into a mixed program and works equally well in contest settings.
Skills your students will build
- Sustaining harmonic drones and ostinato patterns with rhythmic precision
- Playing in Dorian and Mixolydian modes and understanding their characteristic sounds
- Balancing melodic and accompaniment voices in modal contexts
- Blending sectional tone while maintaining individual part clarity
- Responding to phrase shapes that follow folk music conventions rather than traditional functional harmony