Ancient and Honorable Artillery Cover Image

Ancient and Honorable Artillery: Concert Band Conductor Score & Parts

$65.00 USD
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Ancient and Honorable Artillery Cover Image

Ancient and Honorable Artillery: Concert Band Conductor Score & Parts

By John Philip Sousa / arr. Loras John Schissel

Grade: 3.5

Item: 36-50100266

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Description
Our Heritage of the Concert Band series expands with another of the beloved March King's expert works. Carefully edited for historic correctness and playability by the modern concert band by Sousa expert Loras John Schissel, this march shows the band at its rousing best.

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Additional Details
Series: Heritage of the Concert Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 746241257376
SKU: 36-50100266
Instrumentation: Concert Band

More about this title

About the Composer: John Philip Sousa

John Philip Sousa (1854, 1932) shaped American concert band music through hundreds of marches that remain core repertoire in school and professional ensembles worldwide. His compositions balance melodic accessibility with genuine compositional craft, giving young musicians material that sounds impressive and teaches them how to phrase, balance, and execute with precision.

Why we love this

Sousa's marches demand real musicianship without exhausting a developing band. This edition benefits from Schissel's scholarly approach, which means you get historically informed orchestration choices that actually work in rehearsal. The result is a march that students take seriously because the writing itself commands respect.

What to expect

Patriotic energy with refinement. The march unfolds with characteristic Sousa directness, clear themes, propulsive rhythm, bright brass work, while maintaining enough structural sophistication to reward careful conducting and thoughtful phrasing.

Who it's for

Concert bands at the 3.5 grade level ready to program a march with real substance. This works equally well for groups new to Sousa or those building a comprehensive march curriculum.

How to get the most out of it

  • Keep the trio section from sagging by maintaining forward momentum through the dynamic shifts; this isn't a place to slow down.
  • Balance the woodwind countermelodies against the brass statement in the main strain; they're written to support, not fight.
  • Shape the repeat of the first strain with slightly more intensity on the second pass to build cumulative effect.
  • Nail the rhythmic precision in the transition back to the main theme. Clarity here makes the form audible to your audience.

How to use it

Open a concert with this to establish energy and confidence, or program it as a energetic break between lyrical pieces. It's also ideal for pep assemblies and community events where you want the band to sound polished and proud.

Skills your students will build

  • Phrasing within marchlike rhythmic frameworks
  • Melodic balance between sections (brass melody against woodwind accompaniment)
  • Maintaining consistent tempo through dynamic variation
  • Articulation clarity in rapid passage work
  • Understanding historical concert band orchestration

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