An Olde English Laughing Tune Cover Image

An Olde English Laughing Tune: Flute, Trio, Score and Parts

$6.95 USD
Sale price  $6.95 USD Regular price 
Skip to product information
An Olde English Laughing Tune Cover Image

An Olde English Laughing Tune: Flute, Trio, Score and Parts

By Bill Park

Grade: 1

Item: 36-20412283

$6.95
Shipped

One moment…

Description
Equally demanding work for all three parts. Easy ranges, some sixteenth notes at quarter note = 80; in F major. Good junior high contest work.

An Olde English Laughing Tune: Flute, Trio, Score and Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891283-0
ISBN13: 978-1-57-891283-4
UPC: 660355168734
SKU: 36-20412283
Instrumentation: Flute Trio

More about this title

Why we love this

Park writes for junior high flute trios with real understanding of what works on stage. Each part carries equal musical weight, so no one sits in the background, and the straightforward ranges mean students can focus on ensemble precision and style rather than wrestling with high notes.

What to expect

Lighthearted and playful, with the nostalgic charm of period English music filtered through a modern compositional voice. The sixteenth-note figures bubble along with a kind of jaunty energy that keeps the piece moving without demanding virtuosity.

Who it's for

Junior high flute trios preparing for contests or concerts. The balanced difficulty across all three parts makes it ideal for ensembles where players have comparable skills and experience.

How to get the most out of it

  • Establish a steady tempo at quarter note = 80 before rehearsals begin; the sixteenth-note passages need rhythmic clarity and predictability to land the humor.
  • Balance the three parts carefully during rehearsals so the melodic line registers clearly without one flutist dominating the texture.
  • Articulate the comedic intent through phrasing and light tonguing; an Olde English character suggests playful delivery rather than straight classical approach.

How to use it

Program this as a contest entry or as part of a concert showcasing chamber works from your middle school ensemble. The title and character make it an accessible opener that engages audiences while giving three students a genuine collaborative performance opportunity.

Skills your students will build

  • Reading and executing sixteenth-note rhythms at a moderate tempo
  • Balancing three equal melodic lines in an ensemble setting
  • Maintaining steady tempo and rhythmic precision across a trio
  • Interpreting stylistic character (Olde English/period style) through articulation and phrasing

You May Also Like