An Irish Lullaby (Shoheen Sho) Sheet Music Preview

An Irish Lullaby (Shoheen Sho): SATB, a cappella Choral Octavo

(Shoheen Sho)

Words and music by Alice Rose Denny / arr. Bruce Trinkley

Item: 00-PO-0000322

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$2.25

Minimum order quantity: 20 copies

Description
An alternate text (included in the publication) makes this stunning lullaby from Ireland appropriate for Christmas or at any time of year. Sustained a cappella phrases create expressive moments, and brief dissonances resolve beautifully every time. Easy on the voice and keen on the ear, this is one to sing every day as a warm-up selection, or as a "show off" piece at a moment's notice. Lovely.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0000322

More about this title

Why we love this

Bruce Trinkley's arrangement distills the essential warmth of this Irish lullaby into a piece that works equally well as a daily warm-up or a concert centerpiece. The sustained phrases and gentle dissonances reward careful listening without demanding technical fireworks, making it a rare find that satisfies both singers and audiences in the moment.

What to expect

A gentle, introspective moment suspended in time. The piece settles the voice naturally while the ear finds quiet sophistication in the harmonic movement. Singing it feels like offering something tender.

Who it's for

Choirs seeking accessible a cappella repertoire that feels substantial without requiring advanced vocal technique. This works for intermediate ensembles through experienced singers, and it is equally at home in liturgical, educational, or concert settings.

How to get the most out of it

  • Shape each phrase with the natural arc of a lullaby; resist the urge to rush the sustained passages, which derive their power from stillness.
  • Balance the brief dissonances so they resolve with clarity. These moments are the heart of the arrangement, so let them breathe rather than push through them.
  • Consider the two text options (traditional Irish text and Christmas text) as distinct moods. Rehearse both to discover which suits your ensemble's sound and your concert context.

How to use it

Use this as a bridge between more energetic works on a concert; its calming presence resets the room and allows the audience to recenter. It also pairs beautifully with other folk-inspired choral settings if you are programming a thematic set.

Skills your students will build

  • Sustaining long phrases with consistent tone and breath control
  • Balancing chord sonorities in a cappella voicing
  • Interpreting dissonance and resolution as expressive musical moments
  • Singing independently without instrumental support

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