An Academic March Sheet Music Preview

An Academic March: String Orchestra Conductor Score & Parts

Arranged by Richard Chiarappa

Item: 35-PK00270501

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Description
Written and dedicated to my 2011 high school string orchestra, this piece was reviewed in American String Teacher magazine in the May, 2013, Vol. 63 edition. It was given a playing level of Grade 2. Duration: 04:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00270501

More about this title

Why we love this

Chiarappa composed this march specifically for a high school string orchestra, which means every phrase speaks directly to what young players can handle and want to play. The Grade 2 designation from American String Teacher reflects a piece that's genuinely rewarding without punishing rehearsal time; students leave each sectional feeling competent rather than frustrated.

What to expect

Purposeful and measured, with the dignity of a genuine march rather than a simplified imitation. The piece carries a sense of occasion and tradition while remaining accessible, creating moments where young musicians feel the weight of what they're playing.

Who it's for

High school string orchestra directors seeking substantial yet manageable repertoire that students actually enjoy performing. The four-minute duration and Grade 2 difficulty make it ideal for groups building technical confidence without needing extensive preparation time.

How to get the most out of it

  • Establish a steady, confident tempo early in rehearsals. The march form depends on rhythmic precision, so lock the pulse before layering articulation refinements.
  • Balance the melody across your first violins and violas. Chiarappa likely distributes thematic material intentionally, so follow the score to avoid burying important lines.
  • Shape the dynamic contours in four-bar phrases rather than stopping at longer crescendos. Young players respond well to this architectural approach and it builds phrasing awareness.
  • Record a section rehearsal on your phone and play it back. Hearing themselves as an ensemble clarifies intonation issues that are invisible in real time.

How to use it

This works beautifully as a standalone concert opener or as part of a themed program pairing classical forms with contemporary student compositions. Its four-minute length makes it valuable filler that elevates rather than dilutes a concert when you need something substantial between longer works.

Skills your students will build

  • Sustaining consistent tempo through march form structures
  • Balancing melodic and harmonic roles across string sections
  • Executing clean ensemble articulations
  • Reading and responding to phrase-based dynamic shaping

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