An A Cappella Christmas, Volume 2 Sheet Music Preview

An A Cappella Christmas, Volume 2: SATB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS01771661

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Additional Details
Publisher: Hal Leonard
Page Count: 24
SKU: 35-DS01771661

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About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence on choral music spans five continents and nearly five decades of teaching, composing, and arranging. A graduate of San Jose State University and the University of Washington (where he earned his DMA in Choral Conducting), Shaw has brought his distinctive blend of musicianship and humor to faculty positions at College of the Siskiyous, Colorado State University, the University of Missouri at Kansas City, and Southern Oregon University. At each stop, he founded or directed groundbreaking vocal jazz ensembles that became models for other programs.

With more than 2,500 choral works in print and nearly 20 million copies sold worldwide, Shaw has established himself as one of the most performed arrangers in contemporary choral music. His catalogue reflects decades of one-on-one study with jazz vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks. Beyond his prolific arranging work (which has earned multiple ASCAP awards), Shaw has also composed an original musical adaptation of A Christmas Carol with his wife, Markita. He currently directs the Jefferson State Choral Coalition at Southern Oregon University and performs with Just 4 Kicks, a jazz-focused a cappella quartet.

Why we love this

Shaw's pop arrangements sit at that sweet spot where accessibility meets genuine musicianship. His voice leading never feels forced, and the voicings work naturally for singers across ability levels while still delivering the rhythmic energy and harmonic sophistication that keep audiences engaged. For a secular Christmas program, this collection gives you material with real character—material that sounds intentional rather than generic.

What to expect

These arrangements radiate warmth and joy through modern harmonic language and rhythmic drive. The a cappella setting creates an intimate yet energetic sound that feels contemporary without sacrificing the emotional core of holiday music. Expect bright textures, conversational voice leading, and moments of genuine vocal sophistication wrapped in accessible, singable writing.

Who it's for

Choirs seeking contemporary Christmas material that doesn't lean on traditional hymn arrangements or orchestral scoring will find this collection invaluable. Strong sight readers and ensembles comfortable with pop idioms will gravitate naturally to Shaw's rhythmic language. This works equally well for high school and college groups, community choirs with pop sensibility, and church choirs ready to refresh their holiday sound.

How to get the most out of it

  • Establish the groove early in rehearsal. These pop arrangements thrive on rhythmic precision, so lock down the pulse and subdivision before layering in the melodic details.
  • Pay attention to the staggered entrances and rhythmic interlocking between voice parts. They're what give Shaw's writing its forward momentum and drive.
  • Use the a cappella format as an opportunity to let blend and balance shine. Without instrumental support, every voice is exposed; make that exposure work for you by balancing dynamics carefully.
  • Shape the phrase endings with intention. Pop writing often uses rhythmic compression and expansion rather than traditional phrase shaping, so listen for where Shaw wants breath and release.

How to use it

Open a secular or mixed-holiday concert with one of these pieces to set an immediate, modern tone for your program. Pair them with one or two traditional arrangements to show the range of your ensemble's versatility. Many directors program a cappella selections midconcert as a palate cleanser between larger orchestrated works, and Shaw's inventive voicings reward that placement.

Skills your students will build

  • Rhythmic precision in pop and contemporary idioms
  • Voice leading clarity in complex four-part harmony
  • Blend and balance without instrumental support
  • Stylistic interpretation of modern vocal phrasing
  • Ensemble cohesion through staggered entrances and rhythmic interlocking

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