Amid The Falling Snow Sheet Music Preview

Amid The Falling Snow: SSA Choral Octavo

As performed by Enya / Arranged by Audrey Snyder

Item: 35-DS00258776

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00258776

More about this title

About the Artist: Enya

Enya is an Irish singer whose atmospheric, layered vocal style has defined new age and contemporary pop music for decades. Her sparse arrangements and use of multitracked vocals create lush soundscapes that feel both intimate and expansive, qualities that translate beautifully to choral settings when arranged for ensemble voices.

Why we love this

Audrey Snyder's arrangement captures Enya's signature ethereal quality while writing idiomatically for SSA voices. The gentle harmonic language and accessible ranges make this an excellent choice for building blend and balance without demanding extreme vocal prowess.

What to expect

Snow falling in still air. The arrangement unfolds with patience, accumulating gentle vocal layers like flakes building up quietly. There's a peacefulness here that has nothing to do with simplicity and everything to do with restraint.

Who it's for

Choirs seeking repertoire that moves away from traditional holiday fare without abandoning the season entirely. This works equally well for treble ensembles looking for a contemporary sound or mixed choirs scaling down to SSA voicing for a particular concert moment.

How to get the most out of it

  • Shape phrases with long, sustained breaths rather than melodic punctuation. This mirrors Enya's unhurried phrasing and creates that floating quality the arrangement calls for.
  • Blend the SSA voicing as a single unit rather than highlighting individual parts. The magic of this piece lives in the unified wash of harmony.
  • Keep dynamics restrained throughout. The piece works through intimacy, not volume. Your strongest moment might be a well-controlled mezzo-forte rather than a full forte.
  • Pay close attention to tuning in the sustained chords. Without instrumental support, slight pitch drift becomes audible quickly. Mark trouble spots in rehearsal.

How to use it

Insert this into a winter concert where you want to shift the mood. It works beautifully as a contrast following something with more energy, or as the opening number to establish an introspective tone for the entire program. The piece also serves well in chamber choir settings or for a smaller ensemble pulled from a larger group.

Skills your students will build

  • Sustaining legit tone through extended phrases without fatigue
  • Singing exposed harmony without instrumental reference
  • Creating unified blend across three distinct vocal lines
  • Responding to contemporary arranging language and harmonic movement
  • Maintaining musical shape during quiet, sustained sections

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