American Symphonette No. 2 Cover Image

American Symphonette No. 2: Full Orchestra, Oversized Full Score

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American Symphonette No. 2 Cover Image

American Symphonette No. 2: Full Orchestra, Oversized Full Score

By Morton Gould

Item: 36-A789401OS

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Description
Morton Gould, equally comfortable in the worlds of both "serious" and "light" music, presented his symphonettes (an Americanization of the term "sinfonietta," much like kitchenette and dinette) as works of a truly American vernacular, drawing on popular culture as well as classical forms. His American Symphonette No. 2 was the work that first made Gould a name among the American public through radio, with the second movement (Pavanne) a pop orchestra standard to this day. Instrumentation: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp(or Pno): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852377-4
ISBN13: 979-8-88-852377-3
UPC: 676737662288
SKU: 36-A789401OS
Instrumentation: 2.2.2.2: 4.3.3.0: Timp.Perc: Hp(or Pno): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Morton Gould

Morton Gould (1913-1996) was an American composer and conductor who refused to accept artificial boundaries between classical music and popular idiom. A prolific orchestrator and symphonist, he composed across ballet, film, television, and concert music with equal fluency and conviction. His work demonstrated that American vernacular could sustain serious compositional ambition without irony or apology.

Gould's ability to write music that was both intellectually rigorous and immediately engaging made him a fixture of American musical life from the 1930s onward. He conducted major American orchestras, composed hundreds of works, and served as a bridge between concert hall and broadcast studio at a time when few composers moved easily between both worlds.

Why we love this

This is the work that launched Gould's national reputation, and the Pavanne remains one of the most recorded movements in American orchestral literature. The full score reads with crystalline clarity and idiomatic writing for every section; it's orchestration that teaches by example. Programming this piece signals musical literacy while delivering immediate, genuine pleasure to your audience.

What to expect

The second movement glides with gentle sophistication, evoking mid-century American elegance and radio-era orchestral warmth. The outer movements pulse with rhythm and vernacular energy; this is orchestral music that swings, bounces, and breathes without pretense.

Who it's for

Orchestras seeking signature American repertoire that combines accessibility with genuine compositional craft, and ensembles ready to perform at a professional or advanced amateur level. The work suits conductors who want to program something recognizable without sacrificing musical substance.

How to get the most out of it

  • Balance the phrasing in the Pavanne around the soaring melody rather than the harmonic underpinnings; let the strings float the tune above steady woodwind support without losing transparency.
  • Articulation matters enormously in the outer movements. The brass writing requires clean, deliberate attacks to avoid sounding sluggish or heavy in this light orchestral context.
  • Conduct the ensemble through the rhythmic flexibility of American popular music rather than European concert formality; Gould's syncopations need lift and conversational phrasing.
  • The harp or piano orchestration choice affects color substantially. If using piano, ensure it sits back as accompaniment; a harp provides the shimmer Gould's orchestration implies.

How to use it

The Pavanne stands alone as a concert centerpiece or intermezzo between weightier works. The full symphonette works beautifully as an all-Gould program or alongside other American orchestral works from the mid-20th century.

Skills your students will build

  • Reading idiomatic American orchestration and light popular-influenced writing
  • Balancing clarity and warmth in ensemble blending across full orchestra
  • Executing clean articulation and style-appropriate phrasing in syncopated contexts
  • Understanding the relationship between conductor and rhythm section in popular-influenced music

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