American Heritage Suite No. 1: String Orchestra Conductor Score & Parts
Arranged by Robert Longfield
Grade: 3
Item: 98-DST6059
$45.00
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Description
Robert Longfield draws from America's rich musical tradition in this arrangement for medium-level orchestras. A majestic opening leads into a light treatment of Polly Wolly Doodle before moving into a more lyrical and sensitive treatment of Long, Long Ago. A lively and energetic rendition of Listen to the Mockingbird caps this new work. Excellent writing for strings!
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Additional Details
Series:
FJH String Orchestra
Publisher:
The FJH Music Company, Inc.
SKU:
98-DST6059
More about this title
About the Arranger: Robert Longfield
Robert Longfield is an accomplished arranger known for making classical and folk material accessible to developing orchestras. His arrangements honor the source material while writing idiomatically for student ensembles, balancing technical clarity with musical substance.
Why we love this
Longfield's treatment respects each tune's character without overstaying its welcome. The arc from stately to playful to energetic gives you natural pacing for a concert program, and the string writing sits comfortably on student instruments while sounding genuinely orchestral.
What to expect
An affectionate journey through American song, presented with enough sophistication for young musicians to respect the material. The arrangement moves effortlessly from stately ceremony to nostalgic warmth to spirited delight, capturing the emotional range that makes these melodies enduring.
Who it's for
Grade 3 string orchestras seeking patriotic repertoire that doesn't condescend. This works for ensembles with solid fundamentals and a director who wants to program American material with genuine musical content.
How to get the most out of it
- Keep the majestic opening unhurried. Resist the urge to rush the opening section; let the harmonic movement breathe and establish the suite's dignity before Polly Wolly Doodle enters.
- Shape the Polly Wolly Doodle section with lightness in the bow. This transition works best when it feels almost conversational, a gentle shift away from the gravity of what came before.
- Bring out the expressive singing quality of Long, Long Ago. This is where your string players should feel the lyrical weight of the arrangement; encourage them to listen as soloists within the section.
- Drive Listen to the Mockingbird with rhythmic precision. The energy and liveliness depend on clean ensemble rhythm, especially in any syncopated figures; lock the articulation throughout.
How to use it
Anchor a patriotic concert or Americana-themed program with this suite as your centerpiece. Its moderate length and three-movement structure make it ideal for filling a substantial spot on a spring concert or festival program where you want substantive string writing without extreme technical demands.
Skills your students will build
- Balancing multiple melodic lines within string sections
- Sustaining legato phrasing across bow changes
- Responding to tempo and character shifts within a single work
- Reading and executing syncopated rhythms in a folk-music context
- Controlling dynamic contrast from majestic to intimate to spirited