Amazing Grace (My Chains Are Gone) Sheet Music Preview

Amazing Grace (My Chains Are Gone): SAB Choral Octavo

By Chris Tomlin / Arranged by Tom Fettke

Item: 35-DS00254428

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00254428

More about this title

About the Composer: Chris Tomlin

Chris Tomlin has become one of the most performed songwriters in contemporary Christian music, with his compositions featured in worship services across denominations and countries. His work balances accessibility with musical substance, creating pieces that resonate equally in congregational settings and concert halls. Tomlin's gift for memorable melodies paired with theologically grounded lyrics has made him a trusted voice in modern hymnody.

Why we love this

This arrangement transforms a beloved hymn into fresh terrain without losing its spiritual weight. Tom Fettke's SAB voicing opens the piece to broader ensemble possibilities, and the added text "My Chains Are Gone" deepens the theological resonance while maintaining singability across all three parts.

What to expect

Grounded and hopeful. The piece carries the dignity of "Amazing Grace" while the added refrain brings immediacy and personal testimony. You'll find moments of quiet reflection alongside passages that feel luminous and expansive.

Who it's for

Any choir seeking contemporary Christian repertoire that honors hymnic traditions while embracing modern compositional sensibilities. The SAB voicing makes it accessible for developing ensembles, youth choirs, and community groups without compromising musical integrity.

How to get the most out of it

  • Balance the verses carefully so the original melody shines through clearly in the soprano line while the lower voices provide supportive harmonic color.
  • Shape the text "My Chains Are Gone" with intentionality; this phrase carries emotional weight and benefits from slight vocal emphasis and clarity of articulation.
  • Let the accompaniment breathe during textural shifts so singers have space to connect with the lyrical message without feeling rushed.

How to use it

Pair this with other contemporary Christian pieces for a themed concert exploring faith and freedom, or include it in a program mixing traditional hymns with modern arrangements to demonstrate how sacred music evolves. The 7-page octavo length makes it substantial enough for a concert segment without overstaying its welcome.

Skills your students will build

  • Blending three distinct vocal lines with independent rhythmic independence
  • Phrasing text with emotional intent across longer melodic lines
  • Balancing part-singing clarity with harmonic cohesion
  • Reading and interpreting contemporary Christian compositional style

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