Amazing Arizona! Cover Image

Amazing Arizona!: Piano Sheet

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Amazing Arizona! Cover Image

Amazing Arizona!: Piano Sheet

By Melody Bober

Level: Late Intermediate

Item: 00-42441

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Description
Just a few of the wonderful sights to see in Arizona are represented in this suite. Amazing Arizona!, the first movement, is a tribute to the state as a whole with its grand and majestic sound. The second movement, Painted Desert Jazz, paints the colors of the desert with a blues-like improvisation. Sounds of the Petrified Forest, the third movement, creates a mysterious sound with open fifths and chromatic scales, all in a minor key. Grand Canyon Rag, the final movement, sounds and feels like a classic Scott Joplin rag and has an energetic, joyful sound.

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Additional Details
Series: Recital Suite Series
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-1110-4
ISBN13: 978-1-4706-1110-1
UPC: 038081474687
SKU: 00-42441

More about this title

About the Composer: Melody Bober

Melody Bober

Melody Bober composes with a clear mission: to create piano works that deepen students' musical understanding while genuinely engaging them in the process. She holds a bachelor's degree in music education from the University of Illinois at Champaign-Urbana and earned her Master of Arts in piano performance from Minnesota State University, Moorhead, studying with pianists Joel Shapiro and Andrew Froelich. Her teachers in music education and jazz (Mary Hoffman and Tony Caramia) shaped her distinctive compositional voice.

Bober brings twenty years of public school teaching and two years of university-level instruction to her work, alongside her ongoing private studio and active role as a church pianist and former music director. Her reputation as a clinician and composer has made her a sought-after presenter at piano teacher conventions and workshops throughout North America. She lives in Minnesota.

Why we love this

Each movement stands alone as a complete musical idea while building a cohesive narrative around Arizona's landscape, giving students a compelling reason to invest in the full suite. The stylistic variety across the four movements means late intermediate pianists encounter rag idioms, jazz vocabulary, modal writing, and lyrical expression without leaving the bounds of their technical level.

What to expect

A musical tour through the Arizona landscape, beginning with sweeping grandeur before shifting into the warm, improvisatory blues tones of the desert, then deepening into something mysterious and atmospheric, and finally bursting into the infectious syncopation of classic American rag. The suite moves from majesty to color to introspection to unbridled joy.

Who it's for

Late intermediate piano students preparing for recital performances or looking for suite-length repertoire that combines accessibility with musical substance. This work appeals to students who enjoy geographical and cultural storytelling through music and benefit from exposure to jazz and ragtime idioms within their contemporary repertoire.

How to get the most out of it

  • In the opening movement, let the grand and majestic character come through phrasing and dynamic shape rather than rushing the tempo; allow space for the full harmonic progressions to register.
  • For Painted Desert Jazz, listen to authentic blues and jazz recordings to internalize the feel before adding improvisation; understand the underlying chord changes so your variations emerge organically.
  • Highlight the mysterious quality in Sounds of the Petrified Forest by being precise with the open fifths and chromatic movement; minor key writing here rewards clarity and patience.
  • Approach Grand Canyon Rag with rhythmic confidence and bounce; Scott Joplin rags demand rhythmic integrity and a feel for stride patterns, so practice the left hand separately until it swings naturally.

How to use it

Perform the entire suite as a multi-movement recital piece that showcases both technical range and interpretive maturity, or select individual movements to pair with contrasting repertoire from your student's other studies. The varied moods work well as a complete program statement on an all-student or studio recital.

Skills your students will build

  • Performing extended pieces with multiple contrasting sections and tempos
  • Interpreting jazz and blues idioms, including swing feels and improvisation frameworks
  • Managing chromatic scale passages and open fifth textures in minor keys
  • Executing ragtime rhythm patterns and stride piano accompaniment
  • Shaping grand, majestic phrasing and supporting lyrical lines with appropriate voicing

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