Also Sprach Zarathustra, Op. 30 Cover Image

Also Sprach Zarathustra, Op. 30: Full Orchestra, Ensemble Works, OS (EDWIN F KALMUS)

$135.00 USD
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Also Sprach Zarathustra, Op. 30 Cover Image

Also Sprach Zarathustra, Op. 30: Full Orchestra, Ensemble Works, OS (EDWIN F KALMUS)

By Richard Strauss, ed./arr. by Stuart S. Serio/ Clinton F. Nieweg

Item: 36-A212001OS

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Description
German philosopher Friedrich Nietzsche's best-known work, "Also sprach Zarathustra!" ("Thus Spoke Zarathustra!") has been an inspiration for many composers' works, but the best known is this 1896 symphonic tone poem by Richard Strauss (1864-1949). It premiered on November 27, 1896, in a Frankfurt performance conducted by the composer. This newly engraved edition by Clinton F. Nieweg and Stuart Serio has corrected some errors and offers additional guidance for the significant divisi in the strings. All editorial decisions are presented in a list of notes at the beginning of the score. Instrumentation: 3(3rd dPicc)+Picc.3+EH.2+BCl+Eb.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2).Org: Str (16.16.12.12.8; 4-4.4-4.3-3.3-3.4 stands in set). 11x14 oversized full score.

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Additional Details
Series: Kalmus Oversized Score Library
SKU: 36-A212001OS
Instrumentation: 3(3rd dPicc)+Picc.3+EH.2+BCl+Eb.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2).Org: Str (16.16.12.12.8; 4-4.4-4.3-3.3-3.4 stands in set)

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864-1949) was a German composer and conductor whose orchestral works revolutionized late Romantic music. He mastered the symphonic poem, a form that allowed him to paint vivid musical landscapes and explore philosophical ideas through purely instrumental means. His technical mastery of the orchestra and his gift for soaring melodic writing made him one of the most performed composers of the early twentieth century.

Why we love this

This newly engraved edition removes textual ambiguities that have plagued performances for over a century, particularly in the intricate string divisi that define the work's color and resonance. The oversized format and editorial notes give your musicians the clarity they need to navigate one of classical music's most recognizable opening gestures, making rehearsal time count. Programming a complete performance of Strauss's vision, rather than relying on the famous sunrise passage alone, reveals the work's structural sophistication and philosophical depth.

What to expect

The opening captures a sunrise breaking over an ancient landscape with overwhelming majesty and serenity. What follows is a philosophical journey: passages of yearning and introspection, moments of ecstatic triumph, episodes of playfulness and wit, and ultimately a kind of acceptance and peace. The work lives equally in beauty and intensity.

Who it's for

Advanced youth orchestras and university ensembles with the instrumentation and stamina to meet Strauss's demands. This score suits directors programming a major concert around a single substantial work or exploring the symphonic poem in depth.

How to get the most out of it

  • Establish the famous sunrise theme early in rehearsal as a point of reference; everything that follows unfolds from this foundational moment. Let your concertmaster own the opening statement completely.
  • Address the string divisi systematically during sectional rehearsals. The corrected notation in this edition clarifies what notes each stand plays, eliminating the guesswork that weakens ensemble blend.
  • Shape the brass writing with attention to both power and lyricism. Strauss asks for tremendous dynamic range from the horns, brass, and woodwinds; underscore the restraint required during softer passages alongside the full-voiced climaxes.
  • Coordinate with your timpani and percussion section early. The four percussionists manage multiple instruments across a long work; blocking out their entrances prevents scrambling during later rehearsals.

How to use it

Feature this as your season's anchor concert, allowing programming flexibility around it. The scope and ambition signal to your audience that you are capable of serious orchestral literature. It also works powerfully as a closing piece for a concert; few works land with the accumulated weight that Strauss achieves by the final statement.

Skills your students will build

  • Reading complex orchestral textures and multiple simultaneous divisi in strings
  • Balancing independent melodic lines across the ensemble
  • Navigating extended dynamic ranges and gradual crescendos
  • Coordinating across large ensembles with disparate rehearsal needs
  • Interpreting Romantic-era compositional intent from editorial annotations

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