Almost There Sheet Music Preview

Almost There: Choral Instrumental Pak

As performed by Michael W. Smith / Arranged by Heather Sorenson

Item: 35-PK00310815

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Description
Uses: Advent, Christmas, Youth Choir Scripture: Matthew 1:18-24; Luke 1:46-55; Luke 2:1-7 This splendid anthem from Michael W. Smith's Christmas album has all the makings of a holiday classic, capturing the deep emotion felt on the journey to Bethlehem. Smartly arranged for choir, the expressive melody and meaningful text are beautifully joined to create a truly memorable moment in any concert or worship service.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00310815

More about this title

About the Artist: Michael W. Smith

Michael W. Smith built his career bridging contemporary Christian music and mainstream pop, bringing sophisticated production values and emotional depth to songs designed for worship and reflection. His Christmas recordings have become touchstones in the genre, combining accessible melodies with genuine spiritual weight that resonates across generations of listeners.

Why we love this

Heather Sorenson's arrangement captures the vulnerable tenderness of the nativity story without relying on tired harmonic clichés. The piece sits perfectly for developing choirs that need something emotionally substantial but not technically overwhelming, and the instrumental accompaniment gives you flexibility to build instrumentation gradually throughout rehearsal season.

What to expect

The piece evokes the quiet wonder of approaching something sacred, with warm harmonic movement that never feels sentimental. There is both vulnerability and quiet strength in the melodic contour, capturing the emotional complexity of the journey to Bethlehem rather than presenting a simplified holiday sentiment.

Who it's for

Youth choirs and developing ensembles preparing holiday programming within a worship context will find this arrangement meets them where they are musically while asking them to engage with meaningful scripture. It works equally well for sacred concert settings or liturgical services where the nativity story is central to the season.

How to get the most out of it

  • Balance the melody line carefully so the narrative arc of the text carries through without the soloists overpowering the ensemble; this piece needs transparency of voice leading more than dramatic projection.
  • Let the accompaniment breathe in the quieter sections rather than filling every space. Restraint in the instrumental parts actually deepens the sense of intimate reflection.
  • Shape phrases around the liturgical texts from Matthew and Luke rather than treating each musical phrase as a separate unit. The theological meaning should guide your phrasing choices.
  • Pay attention to consonant clarity on sustained chords, particularly where the harmony sits in the upper voices. Clean articulation prevents muddiness in what is otherwise a lush arrangement.

How to use it

Schedule this as the centerpiece of an Advent or Christmas service where you want a moment of reflection rather than celebration, pairing it with more jubilant carols to create musical contrast. It also serves as an effective anchor piece for a shorter holiday concert that builds from quieter, introspective music toward fuller ensemble work.

Skills your students will build

  • Reading and interpreting expressive text painting in choral arrangement
  • Maintaining consistent vowel shapes across sustained harmonic passages
  • Balancing solo and ensemble sections with appropriate dynamic relationship
  • Understanding how musical phrase structure supports scriptural meaning

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