Almost There Sheet Music Preview

Almost There: SAB Choral Octavo

As performed by Wes King / As performed by Amy Grant / As performed by Michael W. Smith / Arranged by Heather Sorenson

Item: 35-DS00306638

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00306638

More about this title

About the Artist: Wes King

Wes King is a Nashville-based songwriter and producer who has shaped contemporary Christian music for decades. His work spans hymn writing, arrangement, and collaboration with some of the genre's most recognizable voices, bringing both accessibility and musical depth to sacred repertoire.

Why we love this

Heather Sorenson's arrangement captures the warmth and sincerity of this carol while keeping the SAB voicing genuinely singable across ability levels. The orchestration and harmonic choices give you a flexible piece that works equally well in a traditional Christmas concert or a contemporary service setting.

What to expect

The piece carries a gentle, reflective quality that feels intimate even in a full choir sound. There's warmth in the harmonies and a sense of quiet joy that builds naturally without requiring dramatic interpretation.

Who it's for

This arrangement works for choir programs seeking accessible Christmas repertoire that doesn't sacrifice musical substance. It suits ensembles ranging from community choirs to high school singers who want something contemporary yet grounded in carol tradition.

How to get the most out of it

  • Balance the melody line with the supporting voices; the arrangement rewards clarity over blend in the verse sections.
  • Pay attention to diction on repeated text to keep the piece from dragging. These moments are where precision sharpens musicality.
  • Layer in the recorded accompaniment during early rehearsals to establish tempo and phrasing, then gradually pull back as singers gain confidence with their parts.

How to use it

Pair this with more traditional carols to show the breadth of sacred seasonal music, or use it as an accessible opener that draws audiences in before moving to more challenging material. It also works beautifully as a standalone piece in services or smaller ensemble contexts.

Skills your students will build

  • Reading three-part mixed voicing with independent melodic lines
  • Balancing solo melody against harmonic support
  • Sustaining tone quality across phrase lengths typical of carol arrangements
  • Following conductor interpretation within a modern sacred music context

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