Almost Christmas Sheet Music Preview

Almost Christmas: SAB Choral Octavo

As performed by Brian Crawley / As performed by Andrew Lippa / Arranged by Mac Huff

Item: 35-DS00315124

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00315124

More about this title

Why we love this

Mac Huff's arrangement captures the infectious energy of this contemporary holiday song while keeping the voicing accessible for developing singers. The SAB setting allows you to program something with genuine pop appeal without sacrificing musical substance, and the 13-page score moves quickly enough that rehearsal time pays off immediately.

What to expect

Modern, rhythmically driven, and unapologetically fun. The arrangement leans into pop production sensibilities while maintaining harmonic interest, creating something that feels fresh rather than nostalgic.

Who it's for

Choirs seeking contemporary holiday repertoire that sits comfortably for three-part mixed voices. This works especially well for groups balancing traditional seasonal offerings with material that connects to their singers' listening experience.

How to get the most out of it

  • Pay close attention to the rhythmic precision in the pop-influenced passages; SAB voicing means any rhythmic looseness becomes obvious fast.
  • Blend the alto and bass lines carefully during their harmonic moments to avoid muddiness in the middle register.
  • Use the recorded accompaniment to lock in the groove, but rehearse a cappella sections first to build independent vocal control.
  • Shape the dynamic arc across the full 13 pages; holiday pop arrangements thrive on momentum, not static volume levels.

How to use it

Pair this with one or two seasonal standards to create a holiday program that spans different eras and styles. It works equally well as a concert opener that grabs attention or as a closer that leaves audiences with contemporary energy.

Skills your students will build

  • Reading syncopated rhythms in a pop idiom
  • Blending three-part SAB voicing with independent part integrity
  • Maintaining rhythmic cohesion within a groove-based arrangement
  • Negotiating dynamic and articulation changes in a through-composed setting

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