Alligator Alley: Concert Band Conductor Score & Parts
By Les Taylor
Grade: 1
Item: 98-DB1093
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Alligator Alley: Score | $5.00 | |
| Alligator Alley: Flute | $7.00 | |
| Alligator Alley: Oboe | $7.00 | |
| Alligator Alley: Bassoon | $7.00 | |
| Alligator Alley: B-flat Clarinet 1 | $7.00 | |
| Alligator Alley: B-flat Clarinet 2 | $7.00 | |
| Alligator Alley: B-flat Bass Clarinet | $7.00 | |
| Alligator Alley: E-flat Alto Saxophone | $7.00 | |
| Alligator Alley: B-flat Tenor Saxophone | $7.00 | |
| Alligator Alley: E-flat Baritone Saxophone | $7.00 | |
| Alligator Alley: B-flat Trumpet 1 | $7.00 | |
| Alligator Alley: B-flat Trumpet 2 | $7.00 | |
| Alligator Alley: F Horn | $7.00 | |
| Alligator Alley: Trombone | $7.00 | |
| Alligator Alley: Baritone/Euphonium | $7.00 | |
| Alligator Alley: Baritone T.C. | $7.00 | |
| Alligator Alley: Tuba | $7.00 | |
| Alligator Alley: Bells | $7.00 | |
| Alligator Alley: Percussion 1 | $7.00 | |
| Alligator Alley: Percussion 2 | $7.00 |
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Description
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More about this title
Why we love this
The percussion writing transforms what could be a simple melody into genuine theater. By delegating the vibraslap and slapstick parts to capable students (or a guest musician), you're giving your ensemble a reason to stay locked in and engaged, while younger players learn that their role matters to the whole sound.
What to expect
Playful and reptilian. The percussion colors create a narrative that students can actually see unfold: lumbering creatures making their way through the swamp, complete with sound effects that make the band room feel less like a rehearsal space and more like a story.
Who it's for
Beginning band students who benefit from concrete imagery and straightforward rhythms. This works especially well in the first semester when younger players are still building confidence and coordination.
How to get the most out of it
- Shape the woodblock articulations crisply but without rushing; they should suggest the alligators' deliberate movement, not frantic scurrying.
- Let the vibraslap and slapstick players rehearse independently from the band first so they're confident before ensemble sections. Their rhythmic placement is the glue holding the texture together.
- Resist the urge to drag. Grade 1 novelty pieces often lose their charm when taken too slowly; keep the tempo moving so the humor lands.
How to use it
Pair this with a spring concert theme centered on nature or humor. At two minutes, it slots perfectly as an opener to warm up the audience and set a lighter tone before moving into more substantial works.
Skills your students will build
- Maintaining steady tempo while tracking multiple percussion colors
- Responding to cues from non-melodic instruments
- Articulation clarity at a comfortable dynamic level
- Awareness of ensemble balance when melody and effects overlap