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Allerseelen: Full Orchestra Conductor Score & Parts

$75.00 USD
$75.00 USD
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Allerseelen Cover Image
Allerseelen: Full Orchestra Conductor Score & Parts

Allerseelen: Full Orchestra Conductor Score & Parts

By Richard Strauss / arr. Albert O. Davis

Grade: 3

Item: 36-10200068
$75.00
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Description
Richard Strauss was born in Munich, Germany on June 11, 1864 and died in 1949. He is considered one of Germany's greatest composers and a master of orchestration. For his tone-poems ("Till Eulenspiegel", "Don Quixote", "Death and Transfiguration", "A Hero's Life") and his fabulous operas {"Der Rosenkavalier", "Salome") he created a sound capable of expressing the whole gamut of human emotion. His art songs continue to please audiences and are favored in recitals by the finest artists. Among them, ALLERSEELEN ("All Souls' Day) is one of his most notable successes. This setting for orchestra brings to the concert hall the surging melody, carefully controlled dynamics, and innate glory of this powerfully moving composition. Instrumentation in set: 2+Picc.2.2+BCl(opt).2: 4.3.3.1: Perc(5): Str (9-8-7-6-5).

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Additional Details
Series: LudwigMasters Concert Masters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876198-9
ISBN13: 978-1-62-876198-6
UPC: 660355037870
SKU: 36-10200068
Instrumentation: 2+Picc.2.2+BCl(opt).2: 4.3.3.1: Perc(5): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864-1949) stands among the most significant orchestrators in Western music history. His command of the full ensemble was unmatched, whether in the concert hall with his tone poems or in the opera house with works like Der Rosenkavalier and Salome. His mastery lay not in harmonic innovation alone but in his ability to distribute musical ideas across the orchestra so that each instrument sang with perfect clarity and emotional weight.

Strauss's art songs occupy a special place in his output. Written across decades, they reveal a composer attuned to the intimate possibilities of melody and accompaniment. Allerseelen exemplifies this gift: a simple, noble line paired with orchestration that supports and amplifies without overwhelming. These songs remain central to vocal recitals worldwide and continue to draw audiences because they speak directly to the human voice.

Why we love this

This orchestration preserves the song's essential lyricism while giving it the grandeur of the concert stage. Grade 3 ensembles can access Strauss's sophisticated orchestral writing without wrestling with overwhelming technical demands. The arrangement lands in that rare space where students experience genuine masterwork orchestration alongside achievable performance challenges.

What to expect

Allerseelen unfolds with quiet dignity and underlying emotion held in careful reserve. The melody emerges from the orchestra as a noble, almost hymnal presence, supported by orchestration that suggests both introspection and quiet power. This is Strauss at his most restrained, yet every note carries the weight of his orchestral mastery.

Who it's for

This score works for Grade 3 full orchestras seeking substantial repertoire with genuine artistic weight. Conductors value it when programming mixed concert fare that includes both innovative orchestral writing and recognizable musical substance. It suits ensembles with competent brass and string sections and players ready to execute subtle dynamic control.

How to get the most out of it

  • Shape the opening melody as a singing line, not a theme to be stated and moved past. Each section that carries the tune should phrase it with warmth and direction, as if performing a vocal recital.
  • Balance the string section carefully in passages where they support the melody. They provide harmonic foundation and gentle motion, not sonic weight. Clarity matters more than volume.
  • Allow the dynamics to unfold gradually. Strauss marks shifts in intensity deliberately, and rushing them robs the piece of its emotional arc.
  • Check that the optional bass clarinet parts are assigned or eliminated before rehearsal begins. Make that decision early so your reed section knows what to prepare.

How to use it

Position this as a centerpiece for a concert exploring European Romantic song literature, pairing it with other arranged art songs or light romantic works. It also serves well as an encore or as part of a program focused on orchestral transcriptions of vocal music. The modest length and emotional directness make it an elegant close to a concert.

Skills your students will build

  • Conducting long, connected melodic lines across changing instrumental combinations
  • Balancing sustained harmonies in strings while maintaining transparency
  • Executing dynamic control within a narrow range (pp to mp)
  • Reading and coordinating optional instrumentation (bass clarinet) in full score
  • Shaping rubato and subtle tempo flexibility in Romantic song style

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