Alleluia! I Will Sing: 2-Part Choral Octavo

This piece succeeds because it does exactly what it claims: the rhythmic 3/4 sections feel instantly accessible, while the shift to 4/4 middle phrases prevents the piece from feeling one-dimensional. Waggoner trusts that singers can handle metric variety without over-complicating it, which means you'll spend rehearsal time on musicality, not just getting through the notes.

The opening has the bounce and buoyancy of a traditional round, full of forward motion and joy. When the piece settles into 4/4, the texture becomes more intimate and song-like, creating a satisfying arc that feels both celebratory and sincere.

This octavo works for treble choirs, general elementary and middle school choirs, and church music programs seeking straightforward sacred repertoire. The two-part writing means less experienced singers won't feel overwhelmed, yet the metric contrast keeps stronger singers engaged.

• Let the 3/4 opening lift naturally; resist the urge to push the tempo, which will flatten the lilting character Waggoner built in.
• Shape the 4/4 phrases as genuine contrast by allowing slightly more space between phrases and drawing out the lyricism rather than maintaining the snappier 3/4 pulse.
• Balance the independent vocal lines by rehearsing parts separately first, then layering them only when each section owns its line confidently.
• Use PianoTrax 4 (00-35870) to lock the ensemble into the metric shifts, especially if singers struggle with the transition from 3/4 to 4/4.

Program this alongside other uplifting sacred works in a festival, holiday concert, or worship service. Its brief length and accessible difficulty make it ideal for a program opener or closer that doesn't demand substantial rehearsal time while still delivering musical impact.

• Reading and performing in mixed meters (3/4 and 4/4)
• Independence in two-part writing
• Phrasing and lyrical expression in contrasting sections
• Rhythmic precision in the 3/4 lilt