Allegro Spiritoso (from <I>Sonata #5</I>) Cover Image

Allegro Spiritoso (from <I>Sonata #5</I>): Brass Quintet Score & Parts

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Allegro Spiritoso (from <I>Sonata #5</I>) Cover Image

Allegro Spiritoso (from Sonata #5): Brass Quintet Score & Parts

Tuba Feature

By Jean Baptiste Senaille / arr. Bill Bjornes, Jr.

Level: Difficult

Item: 81-BQ25206

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Description
The Allegro Spiritoso is a movement taken from Jean-Baptiste Senaille's Sonata No. 5 in D minor, which was originally written as a solo for violin. This particular work by Senaille regained popularity when it was recorded as a piccolo trumpet solo by Maurice Andre. This arrangement is in A minor and features the tuba in a brass quintet setting.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-047-8
ISBN13: 978-1-55472-047-7
UPC: 685462002375
SKU: 81-BQ25206
Instrumentation: Brass Quintet

More about this title

About the Composer: Jean Baptiste Senaille

Jean Baptiste Senaille (1687-1730) was a French Baroque violinist and composer whose sonatas became standard repertoire for string players across Europe. His writing exploited the violin's technical capabilities while maintaining the elegant melodic sensibility of the French Baroque style, and his works remained in circulation long after his death through continuous publication and performance.

Why we love this

Senaille's melodic gift translates beautifully to the brass quintet texture, and Bill Bjornes's arrangement respects the original's contrapuntal elegance while giving each voice real independence. The transposition to A minor adds a darker, more introspective quality than the original D minor, and positioning the tuba as a primary voice rather than a bass filler creates a refreshing ensemble balance that challenges conventional brass quintet writing.

What to expect

Spirited and propulsive without being showy, with the kind of graceful melodic momentum that defines French Baroque style. The texture dances with overlapping lines and sudden shifts of focus, keeping listeners engaged through constantly changing musical perspectives rather than broad dynamic sweeps.

Who it's for

Brass quintets ready for contest or festival repertoire that rewards both technical execution and musical maturity. This is appropriate for college-level groups and advanced high school ensembles with strong solo voices and refined ensemble listening skills.

How to get the most out of it

  • Shape the opening melody with the deliberate phrasing of a French Baroque violinist; this is cantabile music, not just fast passagework.
  • Balance the inner voices carefully, especially when the trumpet and horn trade motivic material; they should speak with equal presence even though they occupy a narrower range than the cornet.
  • Approach the tuba part as genuinely melodic rather than accompanying; Bjornes has written counterpoint here that deserves to be heard.

How to use it

Pair this with other Baroque arrangements or original brass quintet works to create a coherent concert half that showcases the genre's enduring appeal. It also works well as a centerpiece in a program built around masterwork transcriptions, since audiences recognize the source material's pedigree and appreciate hearing a familiar composer in a fresh context.

Skills your students will build

  • Baroque phrasing and ornamentation
  • Balancing multiple melodic lines of equal importance
  • Playing exposed counterpoint in a five-part texture
  • Executing rapid scalar passages with rhythmic precision
  • Listening to non-lead voices with intention

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