Allegro (from the <I>Flute Sonata</I>) Cover Image

Allegro (from the <I>Flute Sonata</I>): Brass Quintet Score & Parts

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Allegro (from the <I>Flute Sonata</I>) Cover Image

Allegro (from the Flute Sonata): Brass Quintet Score & Parts

Tuba Feature

By Georg Philipp Telemann / arr. David Marlatt

Level: Medium

Item: 81-BQ26220

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Description
This is a tuba feature top to bottom. The flashy scalar line demonstrates the technical skills of the tuba player.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-037-0
ISBN13: 978-1-55472-037-8
UPC: 685462002511
SKU: 81-BQ26220
Instrumentation: Brass Quintet

More about this title

About the Composer: Georg Philipp Telemann

Georg Philipp Telemann (1681-1767) was one of the most prolific composers of the Baroque era, leaving behind roughly 3,600 works across all genres. A master of wind music and orchestration, he held major posts in Frankfurt, Eisenach, and Hamburg, where he directed church music and civic concerts. His facility with instrumental writing and gift for memorable melody made his sonatas and concertos standard teaching and performance repertoire across Europe.

Telemann's influence on music education remains significant. His works balance technical challenge with musical substance, making them ideal for developing musicians while offering genuine artistic content. Band and wind directors have long drawn on his catalog for repertoire that teaches musicianship without sacrificing style.

Why we love this

Marlatt's arrangement captures everything that makes Telemann's instrumental writing memorable: clear melody, balanced part writing, and room for one player to shine. Handing the tuba player an active, scalar role in a Baroque masterwork signals that every section deserves feature moments, and the medium level sits perfectly for confident quintets aiming at festival or contest repertoire.

What to expect

Baroque clarity and forward motion delivered by five brass voices. The tuba rises from the ensemble foundation to command attention, trading its harmonic anchor for rapid-fire scalar work that catches light and air.

Who it's for

Medium-level brass quintets ready to program a piece that works equally well at festival competitions or concert settings. Tuba players benefit from repertoire that moves beyond the supporting role, and the ensemble gains from the collaborative challenge of balancing a soloistic brass texture.

How to get the most out of it

  • Shape the scalar lines in the tuba part with clear articulation and a steady taper toward phrase goals; resistance from the other brass voices will define where energy lives
  • Balance the inner voices (horn, euphonium) carefully in the opening measures so the tuba entrance registers as prominent without the ensemble losing cohesion
  • Establish a flexible tempo that lets the running passages sit comfortably on the tuba player's technique; rushing the scalar figures will flatten their character

How to use it

Pair this with other Baroque arrangements or period-appropriate contemporary works to build a cohesive concert block. It works equally well as a festival selection where the tuba feature distinguishes your ensemble, or as a concert piece that showcases the full capabilities of your brass section.

Skills your students will build

  • Baroque style conventions and articulation
  • Balancing solo and ensemble textures within a single movement
  • Technical facility in scalar passages at moderate tempo
  • Listening and responding to other brass voices in close voicing

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