Allegro (from the Flute Sonata) Cover Image

Allegro (from the Flute Sonata): Tenor Saxophone & Keyboard Part(s)

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Allegro (from the Flute Sonata) Cover Image

Allegro (from the Flute Sonata): Tenor Saxophone & Keyboard Part(s)

By Georg Philipp Telemann / arr. David Marlatt

Level: Medium

Item: 81-SS1133

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Description
This famous movement from the flute sonata is a great piece that is accessible to many players. This short tuneful piece would work well on any concert or recital. (2:10)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 2
ISBN10: 1-55473-780-X
ISBN13: 978-1-55473-780-2
UPC: 685462017812
SKU: 81-SS1133
Instrumentation: Tenor Saxophone & Keyboard

More about this title

About the Composer: Georg Philipp Telemann

Georg Philipp Telemann (1681, 1767) was a prolific German Baroque composer whose output rivaled that of his contemporaries Bach and Handel. He wrote over 3,000 works across nearly every genre: concertos, sonatas, suites, operas, and sacred music. His fluency with wind instruments made his instrumental writing idiomatic and playable, which is why his music remains central to music education.

Telemann's sonatas are foundational repertoire for woodwind students. Written with clarity and melodic generosity, they teach musicianship without sacrificing artistic substance. His ability to craft memorable lines that sit well on instruments explains why arrangers continue to adapt his work across different instrumental combinations.

Why we love this

Telemann's melodic gift shines in this movement; the line is singing and direct enough that students hear themselves make music immediately, not just practice it. The keyboard part is supportive without being elementary, giving you a genuine chamber music experience in a format that works for the typical saxophone recital or contest setting.

What to expect

Elegant and unhurried, with the clarity of a Baroque dance filtered through a lyrical sensibility. The melody unfolds with natural phrasing that rewards careful listening and thoughtful interpretation from both soloist and accompanist.

Who it's for

Intermediate tenor saxophone students preparing for recitals, auditions, or festival performances. This arrangement works equally well for students building their solo repertoire or for teachers seeking accessible but substantive Baroque material.

How to get the most out of it

  • Shape the phrase with Baroque sensibility: think of long, graceful arcs rather than the weight and vibrato you'd apply to later Romantic repertoire.
  • Work closely with your keyboard player on the harmonic support; the accompaniment anchors the phrasing, so rehearse together early.
  • Keep the tempo conversational. Allegro here means lively and bright, not rushed; give the melodic line room to breathe.
  • Balance articulation between the written note values; observe the difference between quarter notes and eighth notes to let the rhythmic character emerge.

How to use it

This pairs beautifully with other Baroque woodwind solos in a recital, or use it as a bridge piece between a contemporary work and something from the Romantic era. At just over two minutes, it fits neatly into a chamber concert or serves as a polished closer for a student recital.

Skills your students will build

  • Baroque ornamentation and articulation style
  • Phrasing without relying on dynamic extremes
  • Balancing with keyboard accompaniment in an ensemble setting
  • Reading and interpreting a tuneful melodic line with historical awareness
  • Maintaining consistent tempo through straightforward rhythmic patterns

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