Allegro Cover Image

Allegro: Interchangeable Woodwind Ensemble Score & Parts

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Allegro Cover Image

Allegro: Interchangeable Woodwind Ensemble Score & Parts

From the Cello Sonata

By Benedetto Marcello / arr. David Marlatt

Level: Medium

Item: 81-WWE19151

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Description
This arrangement is a movement from the Cello Sonata in G. Flashy sounding scales (in an easy key) make this sound harder than it is. This is a perfect feature for one member in the group while essentially giving the remainder of the ensemble a break with very light background playing.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-641-3
ISBN13: 978-1-77157-641-3
UPC: 685462026425
SKU: 81-WWE19151

More about this title

About the Composer: Benedetto Marcello

Benedetto Marcello (1686–1739) was a Venetian composer whose chamber works established him as a major figure in the Italian Baroque. Though less frequently performed today than Vivaldi, his contemporaries held him in equally high regard. Marcello's sonatas and concertos reveal a gift for lyrical melody and structural clarity that made his music both sophisticated and accessible to players and listeners across Europe.

Why we love this

Marcello's melodic gift translates beautifully to ensemble playing, and this arrangement captures the elegance of the original sonata while giving your group genuine musical substance at a medium level. The built-in feature role lets one player shine with flashy passagework while the ensemble provides graceful support, making it rewarding for everyone in the room.

What to expect

Elegant and buoyant, with a touch of virtuosic flair. The main melody dances above warm harmonic support, and the easy key keeps the whole texture transparent and graceful rather than labored.

Who it's for

Intermediate woodwind quartets looking for repertoire that sounds polished without overwhelming rehearsal time. This works equally well for a chamber ensemble wanting a feature piece or for a director who needs something that gives one player a moment while keeping the whole group engaged.

How to get the most out of it

  • Balance the featured soloist's scalar passage against the background voices; the supporting parts should recede enough to let the primary melody carry clearly without drowning it out.
  • Attend to articulation consistency across the ensemble, especially in those light background figures, so the texture stays unified even when the soloist steps forward.
  • Shape the Allegro's phrasing with gentle elasticity; avoid mechanical rhythm that would flatten Marcello's Baroque sensibility.

How to use it

Feature this as a chamber encore or a mid-concert moment that showcases a capable soloist without requiring a major transition. It pairs naturally with other Baroque works or early Classical repertoire, and the light texturing makes it an effective palate cleanser between heavier pieces.

Skills your students will build

  • Baroque style and phrasing conventions
  • Balancing solo and accompaniment roles within ensemble texture
  • Playing scalar passages with clarity and evenness
  • Collaborative listening and dynamic control

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