All You Wanted Sheet Music Preview

All You Wanted: Piano/Vocal/Chords

Recorded by Michelle Branch

Item: 00-XIP-000174

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Description
This ORIGINAL SHEET MUSIC EDITION has been arranged for piano/vocal/chords by Alfred Music's talented staff of arrangers. Every effort has been made for the arrangement to be playable on the piano and to sound as close to the original recording as possible. Usually, a separate vocal line is used so that singers can easily sing along, and all lyrics as heard on the original recording are always included. Almost all piano/vocal/chords arrangements are written in the original key in which they were recorded. Special guitar chord frames appear throughout the arrangement so that guitarists can play along.

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Additional Details
Publisher: Alfred Music
Page Count: 6
SKU: 00-XIP-000174

More about this title

About the Artist: Michelle Branch

Michelle Branch emerged as one of the defining pop voices of the early 2000s, known for her ability to craft infectious melodies alongside emotionally direct lyrics. Her work spans both solo projects and collaborative efforts, establishing her as a skilled songwriter and vocalist who understands how to connect with listeners through accessible, well-crafted pop songwriting.

Why we love this

This arrangement captures the infectious pop sensibility of the original while remaining genuinely playable for singers and pianists working together. The inclusion of guitar chord frames makes it naturally collaborative; your pianist, singer, and any guitarist in the room can all work from one score without fragmentation.

What to expect

Bright and propulsive, with the kind of radio-friendly pop energy that feels immediate and modern. The arrangement respects the original's melodic hooks while giving the piano enough textural support to stand on its own.

Who it's for

Pianists who sing or work regularly with vocalists, and singers who need a strong piano foundation for performance or practice. This works equally well for private voice studios, small ensemble settings, and classroom singers preparing for recital.

How to get the most out of it

  • Balance the vocal melody against the piano accompaniment so the singer isn't fighting against the keys; the arrangement is dense enough that a lighter touch on the left hand often works better than full force.
  • Use the guitar chord frames as a reference point for rhythmic feel, especially in sections where the original recording leans on strummed texture; this guides your approach to the piano's rhythmic articulation.
  • Lock in the tempo with any accompanying guitarist early in rehearsal; the interaction between piano and guitar chords shapes the song's energy, and loose coordination will muddy both parts.

How to use it

Include this in a cabaret or pop-focused recital where contemporary music feels at home alongside other accessible repertoire. It also works as a bridge piece for singers transitioning from classical material into more commercial songwriting contexts, or as an ensemble number for collaborative performances featuring keyboard and vocals.

Skills your students will build

  • Reading and performing piano/vocal scores with independent melodic lines
  • Coordinating melody and accompaniment in real time
  • Following guitar chord symbols while maintaining pianistic independence
  • Balancing vocal support with harmonic clarity
  • Interpreting pop phrasing and rhythmic feel on the piano

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