All You Wanna Do (from Six: The Musical): Piano Vocal

This arrangement captures the infectious pop energy of Six without oversimplifying the vocal line. Beighton's orchestration translates beautifully to piano, giving singers a contemporary harmonic foundation that feels both singable and stylistically authentic to the original production.

Upbeat and playful, with the confident energy of a solo moment that celebrates individuality. The music sparkles with pop sensibility while maintaining the emotional authenticity that makes Six resonate with young audiences.

Singers preparing auditions or solos for contemporary musical theater, as well as choral programs looking to add Broadway repertoire with modern appeal. This works equally well for a featured vocalist at a concert or as part of a larger Six medley.

• Keep the groove pocket tight. The rhythmic precision in the piano part drives the song's momentum, so anchor tempo consistency from the very first measure.
• Balance the vocal line above the accompaniment; this isn't a power ballad, so resist the urge to belt throughout. Let the lyrical moments breathe.
• Lean into the modern harmonic language. Unexpected chord changes aren't mistakes; they're intentional and create the song's contemporary character.
• Communicate the pop sensibility through articulation and phrasing rather than volume. Crisp rhythmic clarity matters more than dynamics here.

Feature this as a solo in a pop concert or Broadway-focused evening, or pair it alongside other Six selections if you're building a full show medley. The piece also works as a contemporary offering in a mixed repertoire recital, bridging classical and musical theater audiences.

• Singing in a contemporary pop idiom while maintaining vocal technique
• Reading and interpreting modern harmonic language
• Rhythmic precision in syncopated, groove-based accompaniments
• Balancing belt and legit vocal approaches within a single song
• Stylistic authenticity in Broadway interpretation