All The Way Sheet Music Preview

All The Way: Piano Vocal

As performed by Frank Sinatra / As performed by Kenny G

Item: 35-DS00027550

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00027550

More about this title

About the Artist: Frank Sinatra

Frank Sinatra's influence on American popular music runs deeper than most realize. His approach to phrasing, his ability to shape a melody with conversational ease, and his instinct for rhythmic flexibility fundamentally changed how singers approach a lyric. For music educators, Sinatra represents a masterclass in legit vocal technique applied to jazz and popular repertoire; his records demonstrate how proper breath control and a disciplined technique enable complete interpretive freedom.

Sinatra's standards remain invaluable teaching tools. They show students how to balance technical precision with emotional authenticity, how to honor a songwriter's intent while bringing personal musicality to the performance, and how a vocalist and accompanist create genuine conversation rather than simply executing notes.

Why we love this

This arrangement captures the tender, unhurried quality that makes the song endure. Students will find the vocal line accessible without being simplistic, and the piano part provides intelligent support that doesn't overshadow the singer's work. It's the kind of standard that rewards careful attention to text and line; singers who lean into the lyrical content rather than the notes will discover the song's genuine warmth.

What to expect

Unhurried and genuine. There's no urgency here, just a quiet declaration of affection delivered with the ease of someone who knows exactly what they want to say. The melody sits comfortably in the voice, and the harmony moves with gentle inevitability.

Who it's for

Singers preparing auditions or recitals who want a standard that showcases legit technique and interpretive maturity. It works equally well for jazz ensemble vocalists, classical singers expanding into popular repertoire, or experienced community theater performers seeking quality material.

How to get the most out of it

  • Shape the melody as if you're telling someone something you mean. Sinatra's genius was conversational phrasing; let your rubato follow the natural speech rhythms of the text rather than impose a metronomic beat.
  • Balance your vibrato thoughtfully. Straight tone on certain phrases can create intimacy; vibrato on others adds richness. The contrast matters more than consistency.
  • Coordinate with your pianist on tempo flexibility. The best performances have room to breathe; mark spots where you might ease the tempo slightly and make sure your accompanist hears those places in rehearsal.

How to use it

Pair this with other jazz standards in a concert that celebrates American songwriting, or use it as an encore that leaves the audience with something intimate and unpretentious. It's also effective in a mixed recital program where you want a bridge between art song and contemporary material.

Skills your students will build

  • Interpretive phrasing and text inflection in jazz and popular song
  • Coordination between vocalist and pianist for rhythmic flexibility
  • Vibrato control and the use of straight tone for expression
  • Breath management across longer melodic phrases

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