All The Things You Are Sheet Music Preview

All The Things You Are: Ukulele

As performed by Jerome Kern

Item: 35-DS00440712

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00440712

More about this title

About the Artist: Jerome Kern

Jerome Kern (1885–1945) shaped American musical theater during its golden age, composing over 700 songs that became standards in jazz and popular music. His melodies are architectural in their elegance: built with clear harmonic logic, singable lines, and dramatic arcs that give soloists room to interpret. Kern wrote for the stage first, but his songs transcended their theatrical origins to become the foundation of the American Songbook.

For musicians and educators, Kern's work represents a masterclass in composition. His harmonies introduce students to voice leading, secondary dominants, and chromatic motion in ways that feel musical rather than theoretical. "All The Things You Are" stands among his finest achievements: a song dense with harmonic interest yet fundamentally accessible.

Why we love this

This standard offers ukulele players a genuine harmonic challenge without requiring virtuosic technique. The song's sophisticated chord changes and eight-bar phrases demand focused listening and encourage players to hear the shape of the melody within a moving harmonic landscape, qualities that deepen musicianship across all levels.

What to expect

The song carries an unhurried sophistication. Its melody unfolds with quiet confidence, never rushing, while the harmonies shift beneath it like a gently moving current. There's romance in the simplicity of the ukulele timbre paired with these rich, complex chords.

Who it's for

Intermediate ukulele players ready to explore jazz standards and students whose teachers are building a repertoire of classics arranged for smaller ensembles. This works well for solo performers developing interpretive skills and for ensemble settings where harmonic sophistication matters.

How to get the most out of it

  • Feel the harmonic rhythm beneath the melody. The chord changes move swiftly through the A sections; anchor your sense of pulse on downbeats rather than trying to track each new harmony individually.
  • Shape the phrases as if singing them. The eight-bar sections naturally divide into smaller gestures; use subtle dynamic shaping to highlight these internal structures.
  • Treat the bridge as a pivot point. Its harmonic movement is the most adventurous part of the song; commit fully to the modulation and let it breathe before returning to familiar territory.

How to use it

Position this in a jazz or standards-focused concert to demonstrate how foundational American songwriting translates across instruments. It pairs naturally with other Kern standards or works well as a solo feature for a player advancing beyond pop songs into more substantial material.

Skills your students will build

  • Following complex harmonic progressions by ear
  • Reading and executing secondary dominant chords
  • Phrasing longer melodic lines across eight-bar sections
  • Interpreting jazz standards with stylistic sensitivity

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