All The Things You Are: TTBB Choral Octavo

Mark Hayes brings out the lush harmonic complexity that makes this standard endure while keeping the arrangement accessible for mixed men's voices. The piece sits beautifully for TTBB, allowing tenors to carry the lyrical line while the lower voices support with rich jazz voicings that sound far more sophisticated than the single octavo page requires.

Sophisticated and warm. The arrangement captures the song's inherent elegance, those sweeping chord changes that feel both inevitable and surprising. There's an ease to it, a conversational quality that jazz standards possess when they're truly well-written.

Men's choirs with intermediate to advanced musicianship who want to explore jazz standards with serious compositional depth. This arrangement works for directors seeking secular repertoire that teaches jazz harmony and phrasing without requiring extensive rehearsal time.

• Balance the melody against the underlying harmonies rather than letting lower voices disappear. Hayes writes intentional inner parts that deserve clarity.
• Shape the phrasing in long arcs across the chord changes. This is jazz songwriting, so resist choppy articulation even on rhythmically active passages.
• Familiarize singers with the modulations early in rehearsals. The harmonic movement is part of what makes this standard legendary, and understanding it helps pitch security.

Pair this with other Hayes arrangements or other standards to build a jazz-focused set within a larger concert. It works equally well as a featured number that showcases your men's choir's harmonic blend or as part of a program exploring American songwriting traditions.

• Reading and performing jazz harmony and extended chords
• Balancing melody and inner-voice independence
• Shaping long melodic lines through harmonic changes
• Understanding the relationship between lyrics and harmonic movement