All the Ends of the Earth: Conductor Score & Parts

Dan Rager's arrangement captures the propulsive energy of Haugen's original material while writing idiomatically for brass sextet. The piece reads as genuinely exciting rather than contrived, giving your ensemble a standout work that works equally well as a concert opener or finale without requiring an extended rehearsal period to pull off.

Energetic and purposeful, this piece carries forward momentum from start to finish. The writing showcases the warmth of the full brass color while maintaining rhythmic vitality and accessible harmonic language that feels satisfying rather than overwrought.

This arrangement suits brass sextets at the upper intermediate level who want effective repertoire with immediate impact. Directors programming mixed-brass ensembles will find it straightforward to rehearse while maintaining musical substance and audience appeal.

• Balance the two trumpet parts carefully in the opening statement. Trumpet 2 carries countermelodic material that should be present without overwhelming the primary line.
• Shape longer note values in the horn and trombone sections with subtle dynamic swell to maintain forward momentum through held passages.
• Lock the rhythmic feel between trombone and tuba to establish the harmonic foundation; once that anchor is solid, the trumpets and horn can shape more freely above it.
• Mark any tempo shifts or ritardandi clearly in parts before rehearsal so brass players enter prepared rather than reactive.

Schedule this as a concert opener to establish energy and engagement immediately, or close with it to send the audience out on an upbeat note. Its Grade 4 level makes it approachable for sextets preparing spring or festival programs without demanding extensive sectional rehearsal time.

• Balancing melody and countermelody across multiple brass voices
• Sustaining ensemble rhythmic cohesion in mid-tempo material
• Responding to conductor shape and phrasing while maintaining part independence
• Color and dynamic control across a full brass sextet sonority