All the Difference in the World: Choral Instrumental Pak
As performed by Gary Driskell / Arranged by Heather Sorenson
Item: 35-PK00310351
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Why we love this
Heather Sorenson's arrangement gives this piece architectural clarity without sacrificing warmth. The built-in soloist feature means you're not scrambling to find a capable vocalist; the part sits naturally and lets your best singer shine without overshadowing the ensemble.
What to expect
The piece carries the emotional weight of petition without heaviness. Moments of vulnerability alternate with gentle affirmation, creating a soundscape that feels like speaking quietly to someone you trust.
Who it's for
This anthem serves choirs wanting a contemporary piece that integrates scripture without feeling didactic. It works equally well for church services seeking a moment of collective reflection or for concert programs that need a genuine emotional anchor.
How to get the most out of it
- Balance the soloist carefully in rehearsals by having the section sit slightly back dynamically. This prevents the solo line from disappearing during full ensemble passages while keeping it intimate enough for the reflective text.
- Shape the instrumental accompaniment with subtle tempo elasticity rather than rigid precision. The contemplative nature of this ballad invites slight breath and give that will feel more conversational than metronomic.
- Mark the prayer themes in your score and discuss them with singers before rehearsal. Singers who understand the theological arc of Mark 11:22-26 will make more intentional interpretive choices naturally.
How to use it
This works beautifully as a closing anthem in services that explore faith and perseverance, or as a centerpiece in concerts pairing contemporary sacred music with traditional hymns. Its year-round relevance makes it a reliable choice for both Advent seasons and Easter celebrations.
Skills your students will build
- Sustaining lyrical phrasing across longer harmonic changes
- Balancing solo and ensemble textures during full-voice moments
- Interpreting textual meaning through dynamic shaping
- Responding to the arranger's use of instrumental color