Lynn DeShazo has built a reputation as a composer of accessible, spiritually grounded choral works that resonate across denominational lines. Her gift lies in setting texts with memorable melodies and thoughtful harmonic language that serves both the music and the message.
Why we love this
DeShazo's writing in this octavo feels both contemporary and timeless, avoiding the trappings of trend while remaining engaging for singers and listeners alike. The SATB voicing sits comfortably across most voice ranges, and the nine pages unfold at a length that satisfies without overextending rehearsal time.
What to expect
The piece carries warmth and sincerity, with harmonic language that feels modern without sounding detached. DeShazo's text setting allows words to land with clarity, creating moments of real connection between performers and audience.
Who it's for
This works well for church choirs, concert choirs, and community ensembles seeking contemporary sacred repertoire that doesn't demand extensive technical display. It suits singers with intermediate to solid skill levels who want meaningful material with direct appeal.
How to get the most out of it
Balance the four parts carefully in early rehearsals; mark the score to identify which voice carries the primary melodic material at each phrase.
Pay attention to any divisi passages as you prepare sections separately; mark these clearly so singers understand when to split and when to reunite.
Shape phrases according to the text's natural phrasing rather than resting at barlines; this keeps the arc moving and the meaning clear.
Consider tempo relationships across sections if the piece modulates or shifts mood; slight adjustments can deepen the emotional impact.
How to use it
Include this in a choral concert where you need a strong contemporary sacred work that anchors the second half of your program. It pairs naturally with hymn-based arrangements or other accessible choral pieces while standing confidently on its own.
Skills your students will build
Singing in SATB voicing with independent part integrity
Bringing clarity to contemporary harmonic language
Collaborative ensemble singing with lyrical sensitivity
Interpreting text with musical intention
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