All Of You [Jazz version] (from Silk Stockings) (arr. Brent Edstrom): Piano Vocal

Brent Edstrom's arrangement brings out the song's harmonic richness without overcomplicating the vocal line. The piano part stays responsive to the singer while offering enough musical interest to keep pianists engaged during repeats and vamps. This is the kind of standard that teaches singers how to inhabit a lyric and shows pianists how to comp with purpose.

Sophisticated and intimate, with a melody that feels inevitable once you know it. The harmonic language suggests late-night sophistication without demanding anything gymnastic from the performer; instead, it rewards good taste and patience.

Singers developing jazz interpretation skills and pianists building their comping vocabulary benefit most from this arrangement. It works equally well for a singer preparing for auditions or for intermediate jazz combos needing a reliable standard that sounds more complex than it plays.

• Let the piano establish the groove before the vocal enters; the rhythmic pocket matters as much as the melody does
• Shape the phrase endings with the pianist rather than pressing into them; Porter's lyrics deserve conversational phrasing
• Adjust dynamics through vowel color and articulation rather than volume alone, keeping the sound warm across the range
• Give yourself space at the bridge; this is where the harmonic movement becomes most interesting and worth showcasing

Pair this with other Porter standards in a jazz-focused recital or cabaret-style concert. It also serves as a bridge for singers moving from musical theater repertoire into jazz singing, offering harmonic complexity with an accessible melodic approach.

• Navigating chromatic harmony while maintaining clear melodic line
• Building comping patterns that support rather than overshadow the vocalist
• Phrasing lyrics conversationally across jazz standards
• Understanding the relationship between harmonic movement and expressive choice