All Of Me (arr. Peter van Lonkhuijsen): SSAA Choral Octavo

Peter van Lonkhuijsen's arrangement captures the song's essential warmth while building genuine musical substance through the four-part texture. Your singers will encounter tuneful voice leading that rewards careful blend work, and audiences respond immediately to material they recognize when it's treated with this level of musical care.

The arrangement maintains the intimacy of the original while opening space for each voice part to contribute meaningfully. Warm harmonies and flowing counterlines create something that feels both familiar and freshly orchestrated, striking the balance between recognizability and musical depth.

Choirs seeking contemporary repertoire that sits comfortably for SSAA voicings without sacrificing musical substance. This works equally well for concert choruses, show choirs wanting to expand beyond traditional pop arrangements, and programs looking to program material that connects with both performers and audiences.

• Balance the exposed piano introduction carefully; it sets the emotional tone for everything that follows and deserves deliberate rehearsal time.
• Shape the verse sections with subtle dynamic contours rather than singing at a single level; this prevents the repetitive material from flattening.
• Mark and drill the chord transitions between sections, particularly where inner voices move to new harmony; ensemble crispness here elevates the whole performance.
• Consider the recorded accompaniment a rehearsal tool first and a performance crutch second; learn the piece thoroughly so your singers' voices remain the primary focus.

Pair this with other contemporary love songs for a thematic concert block, or use it as an accessible bridge between classical and popular repertoire in a mixed program. The 55 pages suggest substantial orchestration, making it a strong standalone feature rather than filler material.

• Singing through sustained harmonic progressions with secure intonation
• Blending four-part SSAA texture while maintaining individual line clarity
• Responding to contemporary song form and phrasing conventions
• Coordinating with recorded accompaniment
• Shaping lyrical material across longer phrase structures